This book sums up longstanding conversations with definitive chapters, and offers ground-breaking essays on a various topics not yet covered.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Part I. Geographical, Institutional, and Interpersonal Contexts: 1. Oklahoma City and 'the territory' Tracy Floreani 2. Ghosts of Tuskegee Caroline Gebhard 3. Morteza drexel sprague Matthew McKnight 4. New York City, 1936-1946 Sara Rutkowski 5. The U.S. merchant marine Paul Devlin 6. Fanny Ellison Colleen Eils 7. Rome, 1955-1957 Sara Marzioli 8. Postwar New York Andrew Davenport 9. Albert Murray after 1962 Paul Devlin Part II. Historical, Political, and Cultural Contexts: 10. Visualizing Black identity in Ellison's fiction Lena Hill 11. Alternating currents: Electricity, humanism, and resistance Jennifer L. Lieberman 12. Sounds and signs of Black womanhood Meina Yates-Richard 13. Masculinity E. Al-Tariq Moore 14. Aesthetics of democracy Sterling Lecater Bland, Jr 15. Black power and Black arts Matthew Calihman 16. Wrestling with the far right: Ellison's representations of fascism Kevin Moore 17. Southwestern swing Steven Lewis 18. The self-fashioned American blues identity Kimberly Mack 19. Ellison's durational view of bebop Michael Germana Part III. Literary and Critical Contexts: 20. The Harlem renaissance Michael Borshuk 21. Ellison's early writings Barbara Foley 22. The Wright school Stephan Kuhl 23. Literary modernism Tessa Roynon 24. Beyond raglan's Hero: Ellison's ritualist influences Bryan Crable 25. Sociology Scott Selisker 26. The soapbox speech in Ellison's fiction Granville Ganter 27. Postwar literary aesthetics Jesse McCarthy 28. Ellison as correspondent Marc C. Conner Part IV. Reception and Reputation: 29. Critical reputation, 1994-2020 Paul Devlin and Robert Butler 30. Reading invisible man by design Kinohi Nishikawa 31. Reception of the Hickman novel Benji de la Piedra 32. Reception of the essay collections Matthew Lambert 33. Reception in the USSR and former USSR Olga Panova 34. Biographies of Ellison Timothy Parrish 35. Ellison and digital humanities J. D. Porter.
Part I. Geographical, Institutional, and Interpersonal Contexts: 1. Oklahoma City and 'the territory' Tracy Floreani 2. Ghosts of Tuskegee Caroline Gebhard 3. Morteza drexel sprague Matthew McKnight 4. New York City, 1936-1946 Sara Rutkowski 5. The U.S. merchant marine Paul Devlin 6. Fanny Ellison Colleen Eils 7. Rome, 1955-1957 Sara Marzioli 8. Postwar New York Andrew Davenport 9. Albert Murray after 1962 Paul Devlin Part II. Historical, Political, and Cultural Contexts: 10. Visualizing Black identity in Ellison's fiction Lena Hill 11. Alternating currents: Electricity, humanism, and resistance Jennifer L. Lieberman 12. Sounds and signs of Black womanhood Meina Yates-Richard 13. Masculinity E. Al-Tariq Moore 14. Aesthetics of democracy Sterling Lecater Bland, Jr 15. Black power and Black arts Matthew Calihman 16. Wrestling with the far right: Ellison's representations of fascism Kevin Moore 17. Southwestern swing Steven Lewis 18. The self-fashioned American blues identity Kimberly Mack 19. Ellison's durational view of bebop Michael Germana Part III. Literary and Critical Contexts: 20. The Harlem renaissance Michael Borshuk 21. Ellison's early writings Barbara Foley 22. The Wright school Stephan Kuhl 23. Literary modernism Tessa Roynon 24. Beyond raglan's Hero: Ellison's ritualist influences Bryan Crable 25. Sociology Scott Selisker 26. The soapbox speech in Ellison's fiction Granville Ganter 27. Postwar literary aesthetics Jesse McCarthy 28. Ellison as correspondent Marc C. Conner Part IV. Reception and Reputation: 29. Critical reputation, 1994-2020 Paul Devlin and Robert Butler 30. Reading invisible man by design Kinohi Nishikawa 31. Reception of the Hickman novel Benji de la Piedra 32. Reception of the essay collections Matthew Lambert 33. Reception in the USSR and former USSR Olga Panova 34. Biographies of Ellison Timothy Parrish 35. Ellison and digital humanities J. D. Porter.
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