This collection explores Ranciere's thought along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music, and sets him in dialogue with key thinkers including Adorno, Althusser, Badiou andDeleuze.
This collection explores Ranciere's thought along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music, and sets him in dialogue with key thinkers including Adorno, Althusser, Badiou andDeleuze.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
João Pedro Cachopo is a Marie Sklodowska-Curie Fellow with a joint affiliation to the Universidade Nova de Lisboa and the University of Chicago Patrick Nickleson is Postdoctoral Researcher at Queen's University at Kingston, Ontario. Chris Stover is a Research Fellow at the RITMO Centre for Interdisciplinary Study of Rhythm, Time and Motion, University of Oslo
Inhaltsangabe
Introduction João Pedro Cachopo, Patrick Nickleson and Chris Stover Section I. Music and Noise 1. Musique concrète and the Aesthetic Regime of Art Loïc Bertrand 2. 'Rip it up and start again': Reconfigurations of the Audible in the Aesthetic Regime of the Arts Daniel Frappier 3. A Lesson in Low Music Patrick Nickleson Section II. Politics of History 4. Wandering with Rancière: Sound and Structure under the Aesthetic Regim Martin Kaltenecker 5. Staging Music in the Aesthetic Regime of Art: Rancière, Berlioz and the Bells of Harold en Italie João Pedro Cachopo 6. Rancière on Music, Rancière's Non Music Katharina Clausius 7. Coloured Opera and the Violence of Dis-Identification William Fourie and Carina Venter Section III. Politics of Interaction 8. Musical Politics in the Cuban Police Order Kjetil Klette Bøhler 9. Rancière and Improvisation: Reading Contingency in Music and Politics Dan DiPiero 10. Rancière's Affective Impropriety Chris Stover Section IV. Encounters and Challenges 11. Rancière, Resistance and the Problem of Commemorative Art: Music Displacing Violence Displacing Music Sarah Collins 12. Stain. Murray Dineen 13. On Shoemakers and Related Matters: Rancière and Badiou on Richard Wagner Erik M. Vogt 14. Roll Over the Musical Boundaries: A Few Milestones for the Implementation of an Equal Method in Musicology Danick Trottier Afterword: A Distant Sound Jacques Rancière Works Cited Index
Introduction João Pedro Cachopo, Patrick Nickleson and Chris Stover Section I. Music and Noise 1. Musique concrète and the Aesthetic Regime of Art Loïc Bertrand 2. 'Rip it up and start again': Reconfigurations of the Audible in the Aesthetic Regime of the Arts Daniel Frappier 3. A Lesson in Low Music Patrick Nickleson Section II. Politics of History 4. Wandering with Rancière: Sound and Structure under the Aesthetic Regim Martin Kaltenecker 5. Staging Music in the Aesthetic Regime of Art: Rancière, Berlioz and the Bells of Harold en Italie João Pedro Cachopo 6. Rancière on Music, Rancière's Non Music Katharina Clausius 7. Coloured Opera and the Violence of Dis-Identification William Fourie and Carina Venter Section III. Politics of Interaction 8. Musical Politics in the Cuban Police Order Kjetil Klette Bøhler 9. Rancière and Improvisation: Reading Contingency in Music and Politics Dan DiPiero 10. Rancière's Affective Impropriety Chris Stover Section IV. Encounters and Challenges 11. Rancière, Resistance and the Problem of Commemorative Art: Music Displacing Violence Displacing Music Sarah Collins 12. Stain. Murray Dineen 13. On Shoemakers and Related Matters: Rancière and Badiou on Richard Wagner Erik M. Vogt 14. Roll Over the Musical Boundaries: A Few Milestones for the Implementation of an Equal Method in Musicology Danick Trottier Afterword: A Distant Sound Jacques Rancière Works Cited Index
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