This book examines the relationships between theatrical representations and socio-political aspects of Rapa Nui culture from pre-colonial times to the present.
This book examines the relationships between theatrical representations and socio-political aspects of Rapa Nui culture from pre-colonial times to the present.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Moira Fortin Cornejo is a Ph.D. in Theatre Studies, Victoria University of Wellington.
Inhaltsangabe
Note on Contributor Acknowledgements List of Figures Glossary Cultural Terms Preface by David O'Donnell Prologue Act One: Rapa Nui Theatre and the Oceanic Context SCENE I: Storytelling and the transmission of knowledge through the performing arts. SCENE II: The Conceptualization of Theatre in the Pacific and its impact envisaging contemporary theatre practices. SCENE III: Exploring the construction of the 'traditional' and the contemporary: Implications and Consequences for cultural Creativity. Act Two: Navigating an Ongoing Colonial Relationship Between Rapa Nui and Chile and its Implications to the Rapa Nui Performing Arts SCENE I: Rapa Nui, Social Change, and the ongoing impacts of Encounters with European Explores SCENE II: Isla de Pascua, a Chilean Colony in the Pacific SCENE III: The Modernisation of Rapa Nui and Influences on Rapa Nui Performing Arts Act Three: 'A 'Amu Tuai, the Production of Rapa Nui Theatre SCENE I: The Significance of Ceremonial Performances in the Emergence of Rapa Nui Theatre. SCENE II: 'A'amu Tuai - the indigenous form of Rapa Nui theatre. SCENE III: Koro - The spark igniting the production of Rapa Nui theatre. SCENE IV: Miro O'one: performing the other from an indigenous perspective. SCENE V: Tapati Rapa Nui, the ultimate venue for the expression, performance and re-creation of Rapa Nui indigenous identity. SCENE VI: Mahana O Te Re'o and Ka Täi te Ako - celebrating and revitalising the Rapa Nui language through performance. SCENE VII: The first theatre company of Rapa Nui - Mata Tu'u Hotu Iti. SCENE VIII: Artistic Expressions used in the Production of Rapa Nui Theatre. SCENE IX: The Formalisation of Rapa Nui Theatre. SCENE X: Theatrical Performances Beyond Tapati Rapa Nui - Theatre in the Community. Epilogue Bibliography Index
Note on Contributor Acknowledgements List of Figures Glossary Cultural Terms Preface by David O'Donnell Prologue Act One: Rapa Nui Theatre and the Oceanic Context SCENE I: Storytelling and the transmission of knowledge through the performing arts. SCENE II: The Conceptualization of Theatre in the Pacific and its impact envisaging contemporary theatre practices. SCENE III: Exploring the construction of the 'traditional' and the contemporary: Implications and Consequences for cultural Creativity. Act Two: Navigating an Ongoing Colonial Relationship Between Rapa Nui and Chile and its Implications to the Rapa Nui Performing Arts SCENE I: Rapa Nui, Social Change, and the ongoing impacts of Encounters with European Explores SCENE II: Isla de Pascua, a Chilean Colony in the Pacific SCENE III: The Modernisation of Rapa Nui and Influences on Rapa Nui Performing Arts Act Three: 'A 'Amu Tuai, the Production of Rapa Nui Theatre SCENE I: The Significance of Ceremonial Performances in the Emergence of Rapa Nui Theatre. SCENE II: 'A'amu Tuai - the indigenous form of Rapa Nui theatre. SCENE III: Koro - The spark igniting the production of Rapa Nui theatre. SCENE IV: Miro O'one: performing the other from an indigenous perspective. SCENE V: Tapati Rapa Nui, the ultimate venue for the expression, performance and re-creation of Rapa Nui indigenous identity. SCENE VI: Mahana O Te Re'o and Ka Täi te Ako - celebrating and revitalising the Rapa Nui language through performance. SCENE VII: The first theatre company of Rapa Nui - Mata Tu'u Hotu Iti. SCENE VIII: Artistic Expressions used in the Production of Rapa Nui Theatre. SCENE IX: The Formalisation of Rapa Nui Theatre. SCENE X: Theatrical Performances Beyond Tapati Rapa Nui - Theatre in the Community. Epilogue Bibliography Index
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