Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a demented, regressive demographic. This second edition, ten years after the first, continues the assessment of these films and the discourse they provoke.
Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a demented, regressive demographic. This second edition, ten years after the first, continues the assessment of these films and the discourse they provoke.
Alexandra Heller-Nicholas is an award-winning Australian film critic, author and academic who has written eight books on cult, horror and exploitation cinema with an emphasis on gender politics. She is a research fellow at RMIT University and an adjunct professor at Deakin University, both in Melbourne, Australia.
Inhaltsangabe
Table of Contents Preface to the Second Edition Introduction Chapter One: The Rape-Revenge Film Canon Chapter Two: The Rape-Revenge Film Across Genres Chapter Three: The Rape-Revenge Film Around the World Chapter Four: Women-Directed Rape-Revenge Films Afterword Chapter Notes Bibliography Index
Table of Contents Preface to the Second Edition Introduction Chapter One: The Rape-Revenge Film Canon Chapter Two: The Rape-Revenge Film Across Genres Chapter Three: The Rape-Revenge Film Around the World Chapter Four: Women-Directed Rape-Revenge Films Afterword Chapter Notes Bibliography Index
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