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Staged and photographed as though they were perfume bottles or jewelry, Raphael Dallaporta's images of antipersonnel mines transport these malignant entities far from their customary context and function, refusing easy sensationalism in favor of a more disturbing, insinuating depiction.

Produktbeschreibung
Staged and photographed as though they were perfume bottles or jewelry, Raphael Dallaporta's images of antipersonnel mines transport these malignant entities far from their customary context and function, refusing easy sensationalism in favor of a more disturbing, insinuating depiction.
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