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A range of techno-spiritual developments are explored, including: *'techno-shamanic' DJ technique *techno-primitivism and the sampling of the exotic 'Other' *the influence of gospel music and the Baptist church on garage music *psychedelic trance, ecology and millennialism *psychoactive substance use and neural tuning. Rave Culture and Religion will be essential reading for advanced students and academics in the fields of sociology, cultural studies and religious studies.
Vast numbers of western youth have attached primary significance to raving and post-rave experiences. This collection of
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Produktbeschreibung
A range of techno-spiritual developments are explored, including: *'techno-shamanic' DJ technique *techno-primitivism and the sampling of the exotic 'Other' *the influence of gospel music and the Baptist church on garage music *psychedelic trance, ecology and millennialism *psychoactive substance use and neural tuning. Rave Culture and Religion will be essential reading for advanced students and academics in the fields of sociology, cultural studies and religious studies.
Vast numbers of western youth have attached primary significance to raving and post-rave experiences. This collection of essays explores the socio-cultural and religious dimensions of the rave, 'raving' and rave-derived phenomena.
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Autorenporträt
Graham St John is a Postdoctoral Research Fellow in Interactive Media and Production at the University of Regina, and a Research Associate at the Centre for Critical and Cultural Studies, Universoty of Queensland. His book Technomad: Global Raving Countercultures will be published with Equinox in September 2009. His previous publications include the edited collection Victor Turner and Contemporary Cultural Performance (Berghahn 2008).