Reading Contemporary Serial Television Universes provides a new framework-the metaphor of the narrative ecosystem-for the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in refer
Reading Contemporary Serial Television Universes provides a new framework-the metaphor of the narrative ecosystem-for the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in referHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paola Brembilla is a Adjunct Professor in Television and Media Studies at Università degli Studi di Padova, Italy Ilaria A. De Pascalis is Assistant Professor in Film and Television Studies at Università degli Studi Roma Tre, Italy.
Inhaltsangabe
Acknowledgements List of Figures and Tables List of Contributors Editors' Introduction Part I - Theory Chapter 1: New Paths in Transmediality as Vast Narratives: The State of the Field Matthew Freeman Chapter 2: Crossing the Boundaries: Narrative Ecosystems as Semiospheres Marta Boni Chapter 3: Evolution in Vampire-Centered TV Ecosystems Héctor J. Pérez and Fernando Canet Chapter 4: Audiences and Fan Studies: Technological Communities and Their Influences on Narrative Ecosystems Paul Booth Chapter 5: Spin-offs, Crossovers, and World Building "Energies" Derek Johnson Chapter 6: The Evolution of Characters in TV Series: Morphology, Selection and Remarkable Cases in Narrative Ecosystems Veronica Innocenti and Guglielmo Pescatore Part II - Analysis Chapter 7: An Italian Ecosystem: Gomorra Ilaria A. De Pascalis Chapter 8: Thank God I'm a Country Series. Interacting Environments and Networks in Nashville Paola Brembilla Chapter 9: You're Sherlock Holmes, wear the damn hat! Character Identity in a Transfiction Roberta Pearson Chapter 10: The Specificities of the North-European Seriality: Strong Local Voices in a Global Media-World Heidi Philipsen Chapter 11: Event TV Drama within Narrative Ecosystems: Extended Seriality and Differing Paratextual Orientations in the 50th Anniversaries of Cult TV Matt Hills Chapter 12: The Game of Game of Thrones: Networked Concordances and Fractal Dramaturgy Andrew Beveridge and Michael Chemers
Acknowledgements List of Figures and Tables List of Contributors Editors' Introduction Part I - Theory Chapter 1: New Paths in Transmediality as Vast Narratives: The State of the Field Matthew Freeman Chapter 2: Crossing the Boundaries: Narrative Ecosystems as Semiospheres Marta Boni Chapter 3: Evolution in Vampire-Centered TV Ecosystems Héctor J. Pérez and Fernando Canet Chapter 4: Audiences and Fan Studies: Technological Communities and Their Influences on Narrative Ecosystems Paul Booth Chapter 5: Spin-offs, Crossovers, and World Building "Energies" Derek Johnson Chapter 6: The Evolution of Characters in TV Series: Morphology, Selection and Remarkable Cases in Narrative Ecosystems Veronica Innocenti and Guglielmo Pescatore Part II - Analysis Chapter 7: An Italian Ecosystem: Gomorra Ilaria A. De Pascalis Chapter 8: Thank God I'm a Country Series. Interacting Environments and Networks in Nashville Paola Brembilla Chapter 9: You're Sherlock Holmes, wear the damn hat! Character Identity in a Transfiction Roberta Pearson Chapter 10: The Specificities of the North-European Seriality: Strong Local Voices in a Global Media-World Heidi Philipsen Chapter 11: Event TV Drama within Narrative Ecosystems: Extended Seriality and Differing Paratextual Orientations in the 50th Anniversaries of Cult TV Matt Hills Chapter 12: The Game of Game of Thrones: Networked Concordances and Fractal Dramaturgy Andrew Beveridge and Michael Chemers
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