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Rereads Elgar's 'The Music Makers' in consideration of his poetic compositional procedure, in defiance of historical misunderstanding and negative response. Marks its history, reception, and interaction with Elgar's contemporaries in the 20th century. Charts how the responses to Elgar's work have altered over time, and encourages its relevance today.

Produktbeschreibung
Rereads Elgar's 'The Music Makers' in consideration of his poetic compositional procedure, in defiance of historical misunderstanding and negative response. Marks its history, reception, and interaction with Elgar's contemporaries in the 20th century. Charts how the responses to Elgar's work have altered over time, and encourages its relevance today.
Autorenporträt
David Young taught music history and theory at the Royal Northern College of Music, worked for the Associated Board of the Royal Schools of Music as a consultant in South East Asia, and was Professor of Performance Studies at Kampala University and Vice-Chancellor of the East Africa University, Rwanda. He is editor of Haydn the Innovator: A New Approach to the String Quartets (2000) and his scholarly writings have appeared in the RMA Research Chronicle, Current Musicology, New Grove Dictionary of Music and Musicians, and the International Haydn Symposium.