Integrating analysis and a honed interpretation of the near-total gamut of the oeuvre to-date of Professor Fiona Sampson, the book synthesizes its rigorous discussions of the poetry, prose in different genres, and literary practices of Professor Sampson over a decades-long and much-lauded literary career to date. Including biographical insights, the book goes on to show how the oeuvre of a major contemporary poet and writer evinces a vital literary intelligence and a vision of literary practice on and for the contemporary literary scene.
Integrating analysis and a honed interpretation of the near-total gamut of the oeuvre to-date of Professor Fiona Sampson, the book synthesizes its rigorous discussions of the poetry, prose in different genres, and literary practices of Professor Sampson over a decades-long and much-lauded literary career to date. Including biographical insights, the book goes on to show how the oeuvre of a major contemporary poet and writer evinces a vital literary intelligence and a vision of literary practice on and for the contemporary literary scene.
Omar Sabbagh, Associate Professor of English at the American University in Dubai (AUD), is a widely published poet, writer and critic. He has published scholarly work on Ford Madox Ford, GK Chesterton, Lawrence Durrell, Henry Miller, Lytton Strachey, T.S. Eliot, George Eliot, among others; and much of this work is collated in his: To My Mind Or Kinbotes: Essays on Literature (Whisk(e)y Tit, 2021). His Morning Lit: Portals After Alia is forthcoming with Cinnamon Press in early 2022. His Lebanese verse novel: The Cedar Never Dies has been contracted with Northside Press for 2022.
Inhaltsangabe
About the Author Preface Acknowledgments Introduction 1. Hearthsides and Hospices 2. From The Looking-Glass to the Lamp 3. Prose Animations 4. For the Love of Music Conclusion Appendix Bibliography Index.
About the Author Preface Acknowledgments Introduction 1. Hearthsides and Hospices 2. From The Looking-Glass to the Lamp 3. Prose Animations 4. For the Love of Music Conclusion Appendix Bibliography Index.
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