Reading #Instapoetry
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The first collection to engage with "Instapoetry," this open access book explores the aesthetics and ideologies of the 21st century's most popular poetic form. When Instagram was created as a photo-sharing app dominated by filtered selfies, few thought that it would have any impact on the literary world. A decade later, the best-seller lists are regularly dominated by poets whose careers started on Instagram, and their success has led to a wider resurgence in poetry reading. Instapoetry, a notably diverse movement, exists in many different languages and cultures, and it is notably hospitable…mehr

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Produktbeschreibung
The first collection to engage with "Instapoetry," this open access book explores the aesthetics and ideologies of the 21st century's most popular poetic form. When Instagram was created as a photo-sharing app dominated by filtered selfies, few thought that it would have any impact on the literary world. A decade later, the best-seller lists are regularly dominated by poets whose careers started on Instagram, and their success has led to a wider resurgence in poetry reading. Instapoetry, a notably diverse movement, exists in many different languages and cultures, and it is notably hospitable to writers who are young, female, working class, and from recent immigrant or ethnic minority groups. Yet, as a genre, Instapoetry has often been subject to abuse in the literary press: even those writers frequently identified as Instapoets frequently reject the label in their eagerness to be viewed as "real" poets. Reading #Instapoetry interrogates the practices and implications of Instapoetry as an art form. Refusing to simply condemn the simplicity and seeming artlessness of Instapoems, contributors ask how we can develop a literary-critical language that accounts for the hashtagging and graphic design elements that are key to the form. Digital humanities sampling and analysis methods are used to account for the many flows and commonalities within the hashtags that order the Instapoetry universe. The scholars also ask questions regarding the late capitalist ideologies, in particular the casualization of poetic labor, that lie at the heart of the Instapoetry endeavor, and the ways that these may undercut the supposedly woke messages of feminist celebration and self-empowerment that are common to many Instapoems. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence onbloomsburycollections.com.
Autorenporträt
James Mackay is Associate Professor of Literature and Digital Cultures at European University Cyprus. Previous publications include The Salt Companion to Diane Glancy (2010) and Tribal Fantasies: Native Americans in the European Imaginary 1900-2010 (2014, with David Stirrup). He is a founder-editor of the journal Transmotion, an open-access journal of Indigenous literary and cultural studies. Recent projects include a co-edited issue of the European Journal of English Studies on Instapoetry as a transnational phenomenon. JuEunhae Knox is Teaching Associate at the Digital Humanities Institute at the University of Sheffield, UK, examining AI-produced poems against Instapoetry practices, the effects of an over-inundated digital metaverse on new poetic forms, and how marginalised counterpublics resist algorithmic constrictions and platformization. Her PhD thesis at the University of Glasgow, UK, was the first to study Instapoetry and poe(t/m)-tagging in light of the Creator Economy. She led the inaugural global conference #Reading Instapoetry with James Mackay, and her article "United We 'Gram," published by Poetics Today, scrutinizes the hypertextual effects of consumerist Instapoetry trends.