Susan L Fischer
Reading Performance: Spanish Golden-Age Theatre and Shakespeare on the Modern Stage
Susan L Fischer
Reading Performance: Spanish Golden-Age Theatre and Shakespeare on the Modern Stage
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Spanish Golden-Age plays take their place at the forefront of world theatre.
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Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 392
- Erscheinungstermin: 15. Mai 2009
- Englisch
- Abmessung: 160mm x 236mm x 33mm
- Gewicht: 1021g
- ISBN-13: 9781855661813
- ISBN-10: 1855661810
- Artikelnr.: 26763797
- Verlag: Boydell & Brewer
- Seitenzahl: 392
- Erscheinungstermin: 15. Mai 2009
- Englisch
- Abmessung: 160mm x 236mm x 33mm
- Gewicht: 1021g
- ISBN-13: 9781855661813
- ISBN-10: 1855661810
- Artikelnr.: 26763797
Calderón and Semiological Self-Exorcism: El médico de su honra Calderón and
"L'Illusion Cinématographique" Subverted: Antes que todo es mi dama Rojas
and the Interrogation of Textual Author(ity): La Celestina Calderón and the
Ideology of Egalitarianism "Más bien dado": El alcalde de Zalamea Tirso and
"Deadly" Theatre: El vergonzoso en palacio Lope's Carnivalesque Theatre of
Terror: Fuenteovejuna Tirso and the Restaging of Eschatology: El burlador
de Sevilla y convidado de piedra Lope's Aspectuality and Performativity:
El castigo sin venganza Calderón and the "Warrant of Womanhood": Life's a
Dream Calderón and the Contingency of Radical Tragedy: The Painter of
Dishonour Lope and the Problem of an Ending: Peribanez Lope and the
Politics of Truth: The Dog in the Manger Lope and the Masks of Reality:
Pedro et le Commandeur Spanish Appropriations of Shakespeare: El mercader
de Venecia French Appropriations of Shakespeare: Le marchand de Venise
"L'Illusion Cinématographique" Subverted: Antes que todo es mi dama Rojas
and the Interrogation of Textual Author(ity): La Celestina Calderón and the
Ideology of Egalitarianism "Más bien dado": El alcalde de Zalamea Tirso and
"Deadly" Theatre: El vergonzoso en palacio Lope's Carnivalesque Theatre of
Terror: Fuenteovejuna Tirso and the Restaging of Eschatology: El burlador
de Sevilla y convidado de piedra Lope's Aspectuality and Performativity:
El castigo sin venganza Calderón and the "Warrant of Womanhood": Life's a
Dream Calderón and the Contingency of Radical Tragedy: The Painter of
Dishonour Lope and the Problem of an Ending: Peribanez Lope and the
Politics of Truth: The Dog in the Manger Lope and the Masks of Reality:
Pedro et le Commandeur Spanish Appropriations of Shakespeare: El mercader
de Venecia French Appropriations of Shakespeare: Le marchand de Venise
Calderón and Semiological Self-Exorcism: El médico de su honra Calderón and
"L'Illusion Cinématographique" Subverted: Antes que todo es mi dama Rojas
and the Interrogation of Textual Author(ity): La Celestina Calderón and the
Ideology of Egalitarianism "Más bien dado": El alcalde de Zalamea Tirso and
"Deadly" Theatre: El vergonzoso en palacio Lope's Carnivalesque Theatre of
Terror: Fuenteovejuna Tirso and the Restaging of Eschatology: El burlador
de Sevilla y convidado de piedra Lope's Aspectuality and Performativity:
El castigo sin venganza Calderón and the "Warrant of Womanhood": Life's a
Dream Calderón and the Contingency of Radical Tragedy: The Painter of
Dishonour Lope and the Problem of an Ending: Peribanez Lope and the
Politics of Truth: The Dog in the Manger Lope and the Masks of Reality:
Pedro et le Commandeur Spanish Appropriations of Shakespeare: El mercader
de Venecia French Appropriations of Shakespeare: Le marchand de Venise
"L'Illusion Cinématographique" Subverted: Antes que todo es mi dama Rojas
and the Interrogation of Textual Author(ity): La Celestina Calderón and the
Ideology of Egalitarianism "Más bien dado": El alcalde de Zalamea Tirso and
"Deadly" Theatre: El vergonzoso en palacio Lope's Carnivalesque Theatre of
Terror: Fuenteovejuna Tirso and the Restaging of Eschatology: El burlador
de Sevilla y convidado de piedra Lope's Aspectuality and Performativity:
El castigo sin venganza Calderón and the "Warrant of Womanhood": Life's a
Dream Calderón and the Contingency of Radical Tragedy: The Painter of
Dishonour Lope and the Problem of an Ending: Peribanez Lope and the
Politics of Truth: The Dog in the Manger Lope and the Masks of Reality:
Pedro et le Commandeur Spanish Appropriations of Shakespeare: El mercader
de Venecia French Appropriations of Shakespeare: Le marchand de Venise