Critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the deconstruction of the physical form of the book
Critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the deconstruction of the physical form of the bookHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Glyn White is a Lecturer in Twentieth Century Literature and Culture at the University of Salford
Inhaltsangabe
Introduction 1. Reading the graphic surface 2. The presence of the book 3. The graphic surface in theory 4. Mimesis and the graphic surface: a critical blindspot 5. 'If the gentle compositor would be so friendly': Samuel Beckett's Murphy and Watt 6. 'The technological fact of the book': B.S. Johnson 7. 'Some languages are more visible than others': Christine Brooke-Rose's Thru 8. Alasdair Gray: maker of books Conclusion Further reading Index
Introduction 1. Reading the graphic surface 2. The presence of the book 3. The graphic surface in theory 4. Mimesis and the graphic surface: a critical blindspot 5. 'If the gentle compositor would be so friendly': Samuel Beckett's Murphy and Watt 6. 'The technological fact of the book': B.S. Johnson 7. 'Some languages are more visible than others': Christine Brooke-Rose's Thru 8. Alasdair Gray: maker of books Conclusion Further reading Index
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