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The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.

Produktbeschreibung
The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.
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Autorenporträt
Elaine T. James, Ph.D., is Associate Professor of Old Testament at Princeton Theological Seminary, and the author of An Invitation to Biblical Poetry (2021) and Landscapes of the Song of Songs: Poetry and Place (2017).

Simeon B. Chavel, Ph.D., is Associate Professor of Hebrew Bible at the University of Chicago Divinity School. He has published on many aspects of biblical literature and the history and ideas of ancient Israel and Judah, including Oracular Law and Priestly Historiography in the Torah (Mohr Siebeck, 2014).