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This book examines the intersection of music and temporality in British literature of the long nineteenth century, arguing the temporal multiplicity of music as the most dynamic way to subvert mimetic bias. Temporally vexed sound spaces rupture the narrative, transgressing the hegemonic structures to which it is subject.

Produktbeschreibung
This book examines the intersection of music and temporality in British literature of the long nineteenth century, arguing the temporal multiplicity of music as the most dynamic way to subvert mimetic bias. Temporally vexed sound spaces rupture the narrative, transgressing the hegemonic structures to which it is subject.
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Autorenporträt
Sarah Cash is lecturer in the Department of Writing Studies at the University of Miami.