Reading Words into Worlds asks: how can reading a novel make us feel as if we are living in a world? The book argues that novels can give themselves to a reader in ways that mimetically resemble the givenness of beings in extra-textual reality. This theory is then grounded in close readings of four British realist novels.
Reading Words into Worlds asks: how can reading a novel make us feel as if we are living in a world? The book argues that novels can give themselves to a reader in ways that mimetically resemble the givenness of beings in extra-textual reality. This theory is then grounded in close readings of four British realist novels.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
J. Clayton McReynolds received his Ph.D. in English Literature from Baylor University. He currently teaches literature, history, speech, and writing at Arma Dei Academy. His research interests include the phenomenology of reading, realism, and the rise of the novel, and his work has been published in Dickens Studies Annual and The Journal of Inklings Studies.
Inhaltsangabe
LIST OF FIGURES AND TABLE ACKNOWLEDGEMENTS INTRODUCTION CHAPTER ONE: The Ontological Origin of the Novel CHAPTER TWO: The Visible Hand of Daniel Defoe: The Phenomenological Mimesis of God-Givenness in Robinson Crusoe CHAPTER THREE: Reading Austen's Reality: The Phenomenological Mimesis of Authorial-Givenness in Northanger Abbey CHAPTER FOUR: Being-As Bulstrode: The Phenomenological Mimesis of Self-Givenness in Middlemarch CHAPTER FIVE: Hardy's Anthropomorphous Forces: The Phenomenological Mimesis of Cruel Givenness in Jude the Obscure CONCLUSION: The Fruits of Phenomenological Mimesis BIBLIOGRAPHY Index
LIST OF FIGURES AND TABLE ACKNOWLEDGEMENTS INTRODUCTION CHAPTER ONE: The Ontological Origin of the Novel CHAPTER TWO: The Visible Hand of Daniel Defoe: The Phenomenological Mimesis of God-Givenness in Robinson Crusoe CHAPTER THREE: Reading Austen's Reality: The Phenomenological Mimesis of Authorial-Givenness in Northanger Abbey CHAPTER FOUR: Being-As Bulstrode: The Phenomenological Mimesis of Self-Givenness in Middlemarch CHAPTER FIVE: Hardy's Anthropomorphous Forces: The Phenomenological Mimesis of Cruel Givenness in Jude the Obscure CONCLUSION: The Fruits of Phenomenological Mimesis BIBLIOGRAPHY Index
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