Readying Cavalli's Operas for the Stage

Manuscript, Edition, Production
Herausgeber: Rosand, Ellen

• Gebundenes Buch

Produktbeschreibung

Francesco Cavalli is credited with inventing the opera genre as we know it. Readying Cavalli's Operas for the Stage considers, from various points of view, the current renaissance that Cavalli's works are enjoying. This collection of essays explores the multiple issues involved when transforming an operatic manuscript into a performance.

---

After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. Following an introductory section, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores; Giasone: Production and Interpretation; Making Librettos; and Cavalli Beyond Venice.

Produktdetails

• Verlag: Jenny Stanford Publishing
• Seitenzahl: 440
• Erscheinungstermin: 28. Juli 2013
• Englisch
• Abmessung: 234mm x 156mm x 25mm
• Gewicht: 794g
• ISBN-13: 9781409412182
• ISBN-10: 1409412180
• Artikelnr.: 41238084

Autorenporträt

Ellen Rosand

Inhaltsangabe

Contents: Preface; Introduction
Ellen Rosand; Part I Historiography of Performances and Editions: Cavalli's operas: notes from a performing editor
Jane Glover; Editing Cavalli's operas: fashion or necessity
Álvaro Torrente; After the premiere: the use of alternative sources in revivals of Cavalli's operas
Dinko Fabris. Part II The Manuscript Scores: Inside Cavalli's workshop: copies and copyists
Jennifer Williams Brown; Maria Cavalli: in the shadow of Francesco
Christine Jeanneret; Editing the performance score: toward a new understanding of 17th-century work concepts
Hendrik Schulze. Part III Giasone
Production and Interpretation: Behind the scenes of Cavalli's Giasone of 1649
Beth L. Glixon; Spectacle and drama
or
how many sets do we really need to perform 17th-century opera?
Jonathan Glixon; Hysipyle
Medea
and the Ovidian imagination: taming the epic hero on Cavalli's Giasone
Wendy Heller; Shakespeare and the Golden Fleece
Lawrence Manley. Part IV Making Librettos: Plotting the myth of Giasone
Fausta Antonucci and Lorenzo Bianconi; Cicognini's Giasone: between music and theater
Anna Tedesco; 'Ecco reciso alfine il groppo de l'inganno': Giovanni Faustini's Euripo from the sources to the plot
Nicola Badolato. Part V Cavalli Beyond Venice: Giasone: a source overview
Thomas Lin and Joseph Salem; Balbi's Febiarmonici and the first 'road shows' of Giasone (1649-1653)
Nicola Michelassi; Orione in Milan: a Cavalli premiere
Davide Daolmi; 'Ercole amante sconosciuto': reconstructing the revised version of Cavalli's Parisian opera
Michael Klaper; Ercole amante
the first tragédie en musique?
Barbara Nestola; Select bibliography; Index.