Real Likenesses presents a radical new approach to the philosophy of artistic representation. Through a close analysis of paintings, photographs, and novels it reconsiders the relationship between medium and content, and proposes a new understanding of the 'real likenesses' that we encounter in representational art.
Real Likenesses presents a radical new approach to the philosophy of artistic representation. Through a close analysis of paintings, photographs, and novels it reconsiders the relationship between medium and content, and proposes a new understanding of the 'real likenesses' that we encounter in representational art.
Michael Morris is Professor of Philosophy at the University of Sussex. He has written on the philosophy of language, mind, metaphysics, and art, and has analysed the work of both Plato and Wittgenstein. He is the author of The Good and the True (Oxford, 1992), An Introduction to the Philosophy of Language (Cambridge, 2007), and Wittgenstein and the Tractatus (Routledge, 2008).
Inhaltsangabe
Introduction 1: The Paradox of Painting 2: Painted Things 3: Photography and the Real World 4: Transparency and Distraction in Photographs 5: Paradox and Distraction in Novels 6: Real Characters Postscript
Introduction 1: The Paradox of Painting 2: Painted Things 3: Photography and the Real World 4: Transparency and Distraction in Photographs 5: Paradox and Distraction in Novels 6: Real Characters Postscript
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