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By examining the historical, political, and personal realities that situate the artworks, this book offers an account of how they operate not as objects but as powerful players within the films, thereby exceeding the narrative function of mere props, copies, pastiches, or reproductions.

Produktbeschreibung
By examining the historical, political, and personal realities that situate the artworks, this book offers an account of how they operate not as objects but as powerful players within the films, thereby exceeding the narrative function of mere props, copies, pastiches, or reproductions.
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Autorenporträt
Susan Felleman is professor of Art History and Film and Media Studies at the University of South Carolina.