Morton Schoolman develops a fascinating and entirely new interpretation of the work of Horkenheimer and Adorno.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Morton Schoolman is Professor of Political Science at SUNY Albany, and the author of The Imaginary Witness: TheCritical Theory of Herbert Marcuse.
Inhaltsangabe
Chapter 1 Introduction: Reason and Horror Part 1 Individuality Before the Holocaust Chapter 2 Reason as a "Murderous Principle" Chapter 3 Dialectic of Enlightenment as a Genealogy of Reason Chapter 4 Aesthetic Individuality by analogy: Dialectic of Enlightenment and the Birth and Death of Tragedy Chapter 5 Recovering Aesthetic Individuality from Art: Aesthetic Reason in Adorno'S Aesthetic Theory Part 2 Surfaces Chapter 6 An Ethic of Appearances Chapter 7 Individuality as a Poetic Form of Life Chapter 8 Democracy as an Aesthetic Form of Life Chapter 9 Aesthetic Individuality as a Democratic Achievement Chapter 10 Conclusion
Chapter 1 Introduction: Reason and Horror Part 1 Individuality Before the Holocaust Chapter 2 Reason as a "Murderous Principle" Chapter 3 Dialectic of Enlightenment as a Genealogy of Reason Chapter 4 Aesthetic Individuality by analogy: Dialectic of Enlightenment and the Birth and Death of Tragedy Chapter 5 Recovering Aesthetic Individuality from Art: Aesthetic Reason in Adorno'S Aesthetic Theory Part 2 Surfaces Chapter 6 An Ethic of Appearances Chapter 7 Individuality as a Poetic Form of Life Chapter 8 Democracy as an Aesthetic Form of Life Chapter 9 Aesthetic Individuality as a Democratic Achievement Chapter 10 Conclusion
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