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In Reason for Being, the creative theologian and sociologist Jacques Ellul--whom John Goldingay described as ""unexcelled as a theological exegete of the Old Testament"" among twentieth-century thinkers--invites readers directly to the heart of his engagement with the biblical text. Intended as his concluding ""last word,"" Ellul here distills a half-century of careful meditations on Ecclesiastes into a moving treatise on wisdom, vanity, and the presence of God. Ellul follows the narrator, Qohelet, on an ironic path to the limits of human wisdom, a path which ends with wisdom's recognition of…mehr

Produktbeschreibung
In Reason for Being, the creative theologian and sociologist Jacques Ellul--whom John Goldingay described as ""unexcelled as a theological exegete of the Old Testament"" among twentieth-century thinkers--invites readers directly to the heart of his engagement with the biblical text. Intended as his concluding ""last word,"" Ellul here distills a half-century of careful meditations on Ecclesiastes into a moving treatise on wisdom, vanity, and the presence of God. Ellul follows the narrator, Qohelet, on an ironic path to the limits of human wisdom, a path which ends with wisdom's recognition of its own vanity. This would lead to despair over the meaninglessness of our accomplishments and our very lives--if not for the surprising presence of God, who shows up when we least expect it. In the poetic prose of translator Joyce Main Hanks, Ellul's Reason for Being resounds as an arresting interrogation, an invitation to honest self-examination, and a challenge to free dialogue with God here and now.
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Autorenporträt
Jacques Ellul (1912 - 1994), long time Professor of the History & Sociology of Institutions at the University of Bordeaux, France, was one of the twentieth century's most important analysts and critics of our emerging technological society --- and any lukewarm, conformist Christianity that fails to salt and light that society and culture. Money and Power is one of his fifty books that remains as fresh and relevant as when it first came out in 1954.