The universe of Rebecca Horn, made up of performances, sculptures, installations, paintings, poems and film, in fact contains a third world, which only very recently has revealed its intrinsic dynamism and power. Over thirty years she has developed a new technique for combining painting and photography, or "photopainting". Out of this came her latest tactic: painting combined with film - at is to say, painting projected into space. Such a "fata morgana" suggests endless possibilities for breathtaking pictorial spaces; especially if Horn`s subject is passion - a passion of prodigal abundance…mehr
The universe of Rebecca Horn, made up of performances, sculptures, installations, paintings, poems and film, in fact contains a third world, which only very recently has revealed its intrinsic dynamism and power. Over thirty years she has developed a new technique for combining painting and photography, or "photopainting". Out of this came her latest tactic: painting combined with film - at is to say, painting projected into space. Such a "fata morgana" suggests endless possibilities for breathtaking pictorial spaces; especially if Horn`s subject is passion - a passion of prodigal abundance that loses itself in the measureless vision of a freedom beyond the horizon. With a text by the novelist Iso Camartin and a conversation between Rebecca Horn and art historian Doris von Drathen, this book for the first time shows the inner truth of the fata morgana works: they are nothing less than the light of consciousness that for one instance magnifies a tiny aspect of our life.
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Autorenporträt
Rebecca Horn, 1944 im Odenwald geboren, hat seit den siebziger Jahren ein umfangreiches Werk aus Installationen, Filmen, Performances, Zeichnungen und Fotoübermalungen geschaffen, für das sie zahlreiche Auszeichnungen erhielt. Sie zählt zu den einflussreichsten Künstlerinnen der Gegenwart.
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