This collection responds to the call within the discipline of classical receptions to foster dialogue across cultures and geographies to show the results of the colonially framed traditional approach to classical studies. It also responds to an important development in Hispanic and Lusophone studies: a turn to relational approaches such as transatlantic, transnational, and global analyses.
This collection responds to the call within the discipline of classical receptions to foster dialogue across cultures and geographies to show the results of the colonially framed traditional approach to classical studies. It also responds to an important development in Hispanic and Lusophone studies: a turn to relational approaches such as transatlantic, transnational, and global analyses.
Produktdetails
Produktdetails
Black Diasporic Worlds: Origins and Evolutions from New World Slaving
Madeleine M. Henry is professor of classics and head of the School of Languages and Cultures at Purdue University. Elisa Rizo is associate professor of Hispanic studies at Iowa State University.
Inhaltsangabe
Introduction, by Madeleine Henry and Elia Rizo Chapter 1: From Cultural Appropriation to Historical Emendation: Two Cases Studies of Receptions of the Classical Tradition in Brazil, by Andrea Kouklanakis Chapter 2: Black Angel: Classical Myth, Race and Desire in a Brazilian Modernist Play, by Rodrigo Tadeu Gonçalves and Guilherme Gontijo Flores Chapter 3: Decolonizing Greek Theater: Black Experimental Theater, by César Augusto Baldi Chapter 4: Changó el gran putas: A Drama of Memory, by John Maddo Chapter 5: Resurrection of the Dead: Manuel Zapata Olivella's Caronte Liberado, by Madeleine Henry Chapter 6: Glocalizing Democracy through a Reception of the Classics in Equatorial Guinean Theatre: The Case of Morgades' Antígona, by Elisa Rizo About the Contributors
Introduction, by Madeleine Henry and Elia Rizo Chapter 1: From Cultural Appropriation to Historical Emendation: Two Cases Studies of Receptions of the Classical Tradition in Brazil, by Andrea Kouklanakis Chapter 2: Black Angel: Classical Myth, Race and Desire in a Brazilian Modernist Play, by Rodrigo Tadeu Gonçalves and Guilherme Gontijo Flores Chapter 3: Decolonizing Greek Theater: Black Experimental Theater, by César Augusto Baldi Chapter 4: Changó el gran putas: A Drama of Memory, by John Maddo Chapter 5: Resurrection of the Dead: Manuel Zapata Olivella's Caronte Liberado, by Madeleine Henry Chapter 6: Glocalizing Democracy through a Reception of the Classics in Equatorial Guinean Theatre: The Case of Morgades' Antígona, by Elisa Rizo About the Contributors
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