Reconsidering Boccaccio
Medieval Contexts and Global Intertexts
Herausgeber: Holmes, Olivia; Stewart, Dana
Reconsidering Boccaccio
Medieval Contexts and Global Intertexts
Herausgeber: Holmes, Olivia; Stewart, Dana
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Reconsidering Boccaccio explores the exceptional social, geographic, and intellectual range of the Florentine writer Giovanni Boccaccio, his dialogue with voices and traditions that surrounded him, and the way that his legacy illuminates the interconnectivity of numerous cultural networks.
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Reconsidering Boccaccio explores the exceptional social, geographic, and intellectual range of the Florentine writer Giovanni Boccaccio, his dialogue with voices and traditions that surrounded him, and the way that his legacy illuminates the interconnectivity of numerous cultural networks.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Toronto Italian Studies
- Verlag: University of Toronto Press
- Seitenzahl: 400
- Erscheinungstermin: 29. Mai 2018
- Englisch
- Abmessung: 236mm x 156mm x 38mm
- Gewicht: 864g
- ISBN-13: 9781487501785
- ISBN-10: 1487501781
- Artikelnr.: 49448167
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Toronto Italian Studies
- Verlag: University of Toronto Press
- Seitenzahl: 400
- Erscheinungstermin: 29. Mai 2018
- Englisch
- Abmessung: 236mm x 156mm x 38mm
- Gewicht: 864g
- ISBN-13: 9781487501785
- ISBN-10: 1487501781
- Artikelnr.: 49448167
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Edited by Olivia Holmes and Dana E. Stewart
Olivia Holmes and Dana Stewart (Binghamton University), Introduction
I MATERIAL CONTEXTS
1. K. P. Clarke (University of York), "Text and (Inter)Face: The Catchwords
in Boccaccio’s Autograph of the Decameron"
2. Rhiannon Daniels (University of Bristol), "Reading Boccaccio’s
Paratexts: Dedications as Thresholds between Worlds"
II SOCIAL CONTEXTS: FRIENDSHIP
3. Jason Houston (University of Oklahoma), "Boccaccio on Friendships
(Theory and Practice)"
4. Todd Boli (Independent Scholar), "Among Boccaccio’s Friends: A Profile
of Mainardo Cavalcanti"
III SOCIAL CONTEXTS: GENDER, MARRIAGE, AND THE LAW
5. Alessia Ronchetti (University of Cambridge), "Reading Like a Woman:
Gendering Compassion in the Elegia di Madonna Fiammetta"
6. Grace Delmolino (Columbia University), "The Economics of Conjugal Debt
from Gratian’s Decretum to Decameron 2.10: Boccaccio, Canon Law, and the
Loss of Interest in Sex"
7. Sara Diaz (Fairfield University), "Authority and Misogamy in Boccaccio’s
Trattatello in laude di Dante"
8. Mary Anne Case (University of Chicago Law School), "What Turns on
Whether Women are Human for Boccaccio and Christine de Pizan?"
IV POLITICAL AND AUTHORIAL CONTEXTS: ON FAMOUS WOMEN
9. Elizabeth Casteen (Binghamton University), "On She-Wolves and Famous
Women: Boccaccio, Politics, and the Neapolitan Court"
10. Kevin Brownlee (University of Pennsylvania), "Christine Transforms
Boccaccio: Gendered Authorship in the De mulieribus claris and the Cité des
Dames"
11. Lori Walters (Florida State University), "Reading like a Frenchwoman:
Christine de Pizan’s Treatment of Boccaccio’s Johanna I and Andrea Acciaiu"
V LITERARY INTERTEXTS
12. Franklin Lewis (University of Chicago), "A Persian in a Pear Tree:
Middle Eastern Analogues for Pirro/Pyrrhus"
13. Katherine A. Brown (Princeton University), "Splitting Pants and Pigs:
The Fabliau Barat et Haimet and Narrative Strategies in Decameron 8.5 and
8.6"
14. Filippo Andrei (University of California, Berkeley), "The Tragicomedy
of Lament: The Celestina and the Elegiac Legacy of Madonna Fiammetta"
15. Nora Peterson (University of Nebraska-Lincoln), "Sins, Sex, and
Secrets: The Legacy of Confession from the Decameron to the Heptaméron"
I MATERIAL CONTEXTS
1. K. P. Clarke (University of York), "Text and (Inter)Face: The Catchwords
in Boccaccio’s Autograph of the Decameron"
2. Rhiannon Daniels (University of Bristol), "Reading Boccaccio’s
Paratexts: Dedications as Thresholds between Worlds"
II SOCIAL CONTEXTS: FRIENDSHIP
3. Jason Houston (University of Oklahoma), "Boccaccio on Friendships
(Theory and Practice)"
4. Todd Boli (Independent Scholar), "Among Boccaccio’s Friends: A Profile
of Mainardo Cavalcanti"
III SOCIAL CONTEXTS: GENDER, MARRIAGE, AND THE LAW
5. Alessia Ronchetti (University of Cambridge), "Reading Like a Woman:
Gendering Compassion in the Elegia di Madonna Fiammetta"
6. Grace Delmolino (Columbia University), "The Economics of Conjugal Debt
from Gratian’s Decretum to Decameron 2.10: Boccaccio, Canon Law, and the
Loss of Interest in Sex"
7. Sara Diaz (Fairfield University), "Authority and Misogamy in Boccaccio’s
Trattatello in laude di Dante"
8. Mary Anne Case (University of Chicago Law School), "What Turns on
Whether Women are Human for Boccaccio and Christine de Pizan?"
IV POLITICAL AND AUTHORIAL CONTEXTS: ON FAMOUS WOMEN
9. Elizabeth Casteen (Binghamton University), "On She-Wolves and Famous
Women: Boccaccio, Politics, and the Neapolitan Court"
10. Kevin Brownlee (University of Pennsylvania), "Christine Transforms
Boccaccio: Gendered Authorship in the De mulieribus claris and the Cité des
Dames"
11. Lori Walters (Florida State University), "Reading like a Frenchwoman:
Christine de Pizan’s Treatment of Boccaccio’s Johanna I and Andrea Acciaiu"
V LITERARY INTERTEXTS
12. Franklin Lewis (University of Chicago), "A Persian in a Pear Tree:
Middle Eastern Analogues for Pirro/Pyrrhus"
13. Katherine A. Brown (Princeton University), "Splitting Pants and Pigs:
The Fabliau Barat et Haimet and Narrative Strategies in Decameron 8.5 and
8.6"
14. Filippo Andrei (University of California, Berkeley), "The Tragicomedy
of Lament: The Celestina and the Elegiac Legacy of Madonna Fiammetta"
15. Nora Peterson (University of Nebraska-Lincoln), "Sins, Sex, and
Secrets: The Legacy of Confession from the Decameron to the Heptaméron"
Olivia Holmes and Dana Stewart (Binghamton University), Introduction
I MATERIAL CONTEXTS
1. K. P. Clarke (University of York), "Text and (Inter)Face: The Catchwords
in Boccaccio’s Autograph of the Decameron"
2. Rhiannon Daniels (University of Bristol), "Reading Boccaccio’s
Paratexts: Dedications as Thresholds between Worlds"
II SOCIAL CONTEXTS: FRIENDSHIP
3. Jason Houston (University of Oklahoma), "Boccaccio on Friendships
(Theory and Practice)"
4. Todd Boli (Independent Scholar), "Among Boccaccio’s Friends: A Profile
of Mainardo Cavalcanti"
III SOCIAL CONTEXTS: GENDER, MARRIAGE, AND THE LAW
5. Alessia Ronchetti (University of Cambridge), "Reading Like a Woman:
Gendering Compassion in the Elegia di Madonna Fiammetta"
6. Grace Delmolino (Columbia University), "The Economics of Conjugal Debt
from Gratian’s Decretum to Decameron 2.10: Boccaccio, Canon Law, and the
Loss of Interest in Sex"
7. Sara Diaz (Fairfield University), "Authority and Misogamy in Boccaccio’s
Trattatello in laude di Dante"
8. Mary Anne Case (University of Chicago Law School), "What Turns on
Whether Women are Human for Boccaccio and Christine de Pizan?"
IV POLITICAL AND AUTHORIAL CONTEXTS: ON FAMOUS WOMEN
9. Elizabeth Casteen (Binghamton University), "On She-Wolves and Famous
Women: Boccaccio, Politics, and the Neapolitan Court"
10. Kevin Brownlee (University of Pennsylvania), "Christine Transforms
Boccaccio: Gendered Authorship in the De mulieribus claris and the Cité des
Dames"
11. Lori Walters (Florida State University), "Reading like a Frenchwoman:
Christine de Pizan’s Treatment of Boccaccio’s Johanna I and Andrea Acciaiu"
V LITERARY INTERTEXTS
12. Franklin Lewis (University of Chicago), "A Persian in a Pear Tree:
Middle Eastern Analogues for Pirro/Pyrrhus"
13. Katherine A. Brown (Princeton University), "Splitting Pants and Pigs:
The Fabliau Barat et Haimet and Narrative Strategies in Decameron 8.5 and
8.6"
14. Filippo Andrei (University of California, Berkeley), "The Tragicomedy
of Lament: The Celestina and the Elegiac Legacy of Madonna Fiammetta"
15. Nora Peterson (University of Nebraska-Lincoln), "Sins, Sex, and
Secrets: The Legacy of Confession from the Decameron to the Heptaméron"
I MATERIAL CONTEXTS
1. K. P. Clarke (University of York), "Text and (Inter)Face: The Catchwords
in Boccaccio’s Autograph of the Decameron"
2. Rhiannon Daniels (University of Bristol), "Reading Boccaccio’s
Paratexts: Dedications as Thresholds between Worlds"
II SOCIAL CONTEXTS: FRIENDSHIP
3. Jason Houston (University of Oklahoma), "Boccaccio on Friendships
(Theory and Practice)"
4. Todd Boli (Independent Scholar), "Among Boccaccio’s Friends: A Profile
of Mainardo Cavalcanti"
III SOCIAL CONTEXTS: GENDER, MARRIAGE, AND THE LAW
5. Alessia Ronchetti (University of Cambridge), "Reading Like a Woman:
Gendering Compassion in the Elegia di Madonna Fiammetta"
6. Grace Delmolino (Columbia University), "The Economics of Conjugal Debt
from Gratian’s Decretum to Decameron 2.10: Boccaccio, Canon Law, and the
Loss of Interest in Sex"
7. Sara Diaz (Fairfield University), "Authority and Misogamy in Boccaccio’s
Trattatello in laude di Dante"
8. Mary Anne Case (University of Chicago Law School), "What Turns on
Whether Women are Human for Boccaccio and Christine de Pizan?"
IV POLITICAL AND AUTHORIAL CONTEXTS: ON FAMOUS WOMEN
9. Elizabeth Casteen (Binghamton University), "On She-Wolves and Famous
Women: Boccaccio, Politics, and the Neapolitan Court"
10. Kevin Brownlee (University of Pennsylvania), "Christine Transforms
Boccaccio: Gendered Authorship in the De mulieribus claris and the Cité des
Dames"
11. Lori Walters (Florida State University), "Reading like a Frenchwoman:
Christine de Pizan’s Treatment of Boccaccio’s Johanna I and Andrea Acciaiu"
V LITERARY INTERTEXTS
12. Franklin Lewis (University of Chicago), "A Persian in a Pear Tree:
Middle Eastern Analogues for Pirro/Pyrrhus"
13. Katherine A. Brown (Princeton University), "Splitting Pants and Pigs:
The Fabliau Barat et Haimet and Narrative Strategies in Decameron 8.5 and
8.6"
14. Filippo Andrei (University of California, Berkeley), "The Tragicomedy
of Lament: The Celestina and the Elegiac Legacy of Madonna Fiammetta"
15. Nora Peterson (University of Nebraska-Lincoln), "Sins, Sex, and
Secrets: The Legacy of Confession from the Decameron to the Heptaméron"