Introduction Amanda Bayley Part I. Recordings and their Contexts: 1. The rise and rise of phonomusicology Stephen Cottrell 2. Illusion and aura in the classical audio recording Peter Johnson 3. Ethical and cultural issues in the digital era Andrew Blake 4. The changing functions of music recordings and listening practices Adam Krims Part II. The Recording Process: 5. Producing performance James Barrett 6. Modi operandi in the production of 'world music' recordings John Baily 7. Recording and the Rattle phenomenon David Patmore 8. Jazz recordings and the 'capturing' of performance Peter Elsdon Part III. Recordings as Texts: 9. Jazz recordings as social texts Catherine Tackley 10. Recordings as research tools: perspectives from ethnomusicology Jonathan Stock 11. Multiple takes: using recordings to document creative process Amanda Bayley 12. The phonographic voice: paralinguistic features and phonographic staging in popular music singing Serge Lacasse 13. The track Allan Moore Part IV. Sonic Creations and Re-Creations: 14. From sound to music, from recording to theory John Dack 15. Modes of appropriation: covers, remixes and mash-ups in contemporary popular music Virgil Moorefield 16. Painting the sonic canvas: electronic mediation as musical style Albin Zak Epilogue: 17. Recording technology in the twenty-first century Tony Gibbs Select bibliography Select discography Select webography.
Introduction Amanda Bayley Part I. Recordings and their Contexts: 1. The rise and rise of phonomusicology Stephen Cottrell 2. Illusion and aura in the classical audio recording Peter Johnson 3. Ethical and cultural issues in the digital era Andrew Blake 4. The changing functions of music recordings and listening practices Adam Krims Part II. The Recording Process: 5. Producing performance James Barrett 6. Modi operandi in the production of 'world music' recordings John Baily 7. Recording and the Rattle phenomenon David Patmore 8. Jazz recordings and the 'capturing' of performance Peter Elsdon Part III. Recordings as Texts: 9. Jazz recordings as social texts Catherine Tackley 10. Recordings as research tools: perspectives from ethnomusicology Jonathan Stock 11. Multiple takes: using recordings to document creative process Amanda Bayley 12. The phonographic voice: paralinguistic features and phonographic staging in popular music singing Serge Lacasse 13. The track Allan Moore Part IV. Sonic Creations and Re-Creations: 14. From sound to music, from recording to theory John Dack 15. Modes of appropriation: covers, remixes and mash-ups in contemporary popular music Virgil Moorefield 16. Painting the sonic canvas: electronic mediation as musical style Albin Zak Epilogue: 17. Recording technology in the twenty-first century Tony Gibbs Select bibliography Select discography Select webography.
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