Recording Orchestra and Other Classical Music Ensembles explores techniques and methodologies specific to recording classical music. This book speaks to all levels of expertise and covers every aspect of recording symphonic and concerto repertoire, opera, chamber music, and solo piano.
Recording Orchestra and Other Classical Music Ensembles explores techniques and methodologies specific to recording classical music. This book speaks to all levels of expertise and covers every aspect of recording symphonic and concerto repertoire, opera, chamber music, and solo piano.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Richard King is a multi-Grammy Award winner who specializes in recording classical, jazz and film score music. He is Associate Professor at the Schulich School of Music of McGill University in Montréal, where he teaches in the Sound Recording area. A long-standing member and Fellow of the Audio Engineering Society, Richard is a regular convention presenter and panelist, and he is frequently invited to speak at various university-level recording programs around the world.
Inhaltsangabe
Part 1: Getting Started 1. Introduction 2. How to Listen: Loudspeakers, Headphones, Listening Rooms 3. Understanding Microphones Part 2: Recording Orchestra 4. The Orchestra and Its Various Iterations 5. The Hall, as a Recording Venue 6. The Main Microphones 7. Recording Strings 8. Recording Woodwinds, Brass and Percussion 9. Recording Harp, Piano, Celeste and Organ Part 3: Variations on a Theme 10. Recording Chorus 11. Recording Concertos 12. Recording Solo Voice and Orchestra Part 4: The Recording Session 13. The Role of the Producer in Classical Music Recording 14. How to Carry Out a Successful Recording Session 15. Live Concerts, Live Opera and Productions with Video Part 5: Other Classical Music Ensembles 16. Recording Wind Symphony and Brass Band 17. Recording Chamber Orchestra 18. Recording String Quartet 19. Recording Woodwind and Brass Quintet 20. Recording Piano with Other Instruments 21. Recording Solo Piano 22. Recording Classical Crossover Projects Part 6: Post Production 23. Editing 24. Mixing 25. Final Assembly and Mastering Part 7: Multichannel Recording and Mixing 26. How to Listen in Surround Sound 27. Recording and Mixing for 5.1 Surround Sound 28. Recording and Mixing for Immersive/3D Content 29. Film Score Recording and Mixing Part 8: Case Studies 30. Recording Orchestra - Case Studies 31. Recording Chamber Music - Case Studies
Acknowledgements
Preface
Part 1: Getting Started
Chapter 1 Introduction
Chapter 2 How to Listen: Loudspeakers, headphones, and listening environment
Chapter 3 Understanding Microphones
Part 2: Recording Orchestra
Chapter 4 The Orchestra and its various iterations
Chapter 5 The Hall, and how to deal with it
Chapter 6 Main microphone systems - How to record it
Chapter 7 - Recording Strings
Chapter 8 Recording Woodwinds, Brass and Percussion
Chapter 9 - Recording Harp, Piano, Celeste and Organ
Chapter 10 Recording Orchestra and Chorus
Part 3: Variations on a Theme
Chapter 11 Recording Concertos - balancing solo instruments with orchestra
Chapter 12 Recording Solo Voice and Orchestra
Part 4: The Recording Session
Chapter 13 The Role of the producer in classical music recording
Chapter 14 How to carry out a successful recording session
Chapter 15 Live Concerts, Live Opera and productions with Video
Part 5: Other Challenges in Classical Recording
Chapter 16 Recording Chamber Orchestra
Chapter 17 Recording String Quartet
Chapter 18 Recording piano with other instruments - violin, cello, voice, etc.
Chapter 19 Recording solo piano
Part 6: Post Production
Chapter 20 Editing
Chapter 21 Mixing
Chapter 22 Final assembly and Mastering
Part 7: Multi-channel Recording and Mixing
Chapter 23 Multi-channel recording: How to listen in surround
Chapter 24 How to record and mix for surround sound
Part 1: Getting Started 1. Introduction 2. How to Listen: Loudspeakers, Headphones, Listening Rooms 3. Understanding Microphones Part 2: Recording Orchestra 4. The Orchestra and Its Various Iterations 5. The Hall, as a Recording Venue 6. The Main Microphones 7. Recording Strings 8. Recording Woodwinds, Brass and Percussion 9. Recording Harp, Piano, Celeste and Organ Part 3: Variations on a Theme 10. Recording Chorus 11. Recording Concertos 12. Recording Solo Voice and Orchestra Part 4: The Recording Session 13. The Role of the Producer in Classical Music Recording 14. How to Carry Out a Successful Recording Session 15. Live Concerts, Live Opera and Productions with Video Part 5: Other Classical Music Ensembles 16. Recording Wind Symphony and Brass Band 17. Recording Chamber Orchestra 18. Recording String Quartet 19. Recording Woodwind and Brass Quintet 20. Recording Piano with Other Instruments 21. Recording Solo Piano 22. Recording Classical Crossover Projects Part 6: Post Production 23. Editing 24. Mixing 25. Final Assembly and Mastering Part 7: Multichannel Recording and Mixing 26. How to Listen in Surround Sound 27. Recording and Mixing for 5.1 Surround Sound 28. Recording and Mixing for Immersive/3D Content 29. Film Score Recording and Mixing Part 8: Case Studies 30. Recording Orchestra - Case Studies 31. Recording Chamber Music - Case Studies
Acknowledgements
Preface
Part 1: Getting Started
Chapter 1 Introduction
Chapter 2 How to Listen: Loudspeakers, headphones, and listening environment
Chapter 3 Understanding Microphones
Part 2: Recording Orchestra
Chapter 4 The Orchestra and its various iterations
Chapter 5 The Hall, and how to deal with it
Chapter 6 Main microphone systems - How to record it
Chapter 7 - Recording Strings
Chapter 8 Recording Woodwinds, Brass and Percussion
Chapter 9 - Recording Harp, Piano, Celeste and Organ
Chapter 10 Recording Orchestra and Chorus
Part 3: Variations on a Theme
Chapter 11 Recording Concertos - balancing solo instruments with orchestra
Chapter 12 Recording Solo Voice and Orchestra
Part 4: The Recording Session
Chapter 13 The Role of the producer in classical music recording
Chapter 14 How to carry out a successful recording session
Chapter 15 Live Concerts, Live Opera and productions with Video
Part 5: Other Challenges in Classical Recording
Chapter 16 Recording Chamber Orchestra
Chapter 17 Recording String Quartet
Chapter 18 Recording piano with other instruments - violin, cello, voice, etc.
Chapter 19 Recording solo piano
Part 6: Post Production
Chapter 20 Editing
Chapter 21 Mixing
Chapter 22 Final assembly and Mastering
Part 7: Multi-channel Recording and Mixing
Chapter 23 Multi-channel recording: How to listen in surround
Chapter 24 How to record and mix for surround sound
Appendix A: Quick Start Guides, by ensemble
A.1 Orchestra Quick Start guide
A.2 Chorus Quick Start guide
A.3 Chamber Orchestra Quick Start guide
A.4 String Quartet Quick Start guide
A.5 Piano and Other Instruments Quick Start guide
A.6 Solo Piano Quick Start guide
Index
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