Recording the Classical Guitar - Marrington, Mark
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Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument's most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists' recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists' conceptions of…mehr

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Produktbeschreibung
Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument's most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists' recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists' conceptions of the instrument's ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.
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Autorenporträt
Mark Marrington studied classical guitar as an undergraduate before training as a musicologist in the late 1990s and undertaking doctoral work focused on twentieth-century British music and the composer Denis ApIvor. Later he became interested in record production and recording technologies leading him to a period of research into the impact of digital production tools (principally the Digital Audio Workstation) upon musical creativity in a number of genre contexts. This book is essentially a marriage of these two perspectives. Mark is currently Senior Lecturer in Music Production at York St. John University and his academic writing has been published by Cambridge University Press, Bloomsbury Academic, Routledge, Future Technology Press, British Music, Soundboard, Classical Guitar, the Musical Times and the Journal on the Art of Record Production.