John Cage's disdain for records was legendary. It was shared by other experimental and avant-garde musicians in the 1960s. Scholar and longtime musician David Grubbs explores the present-day musical landscape, as listeners encounter experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings.
John Cage's disdain for records was legendary. It was shared by other experimental and avant-garde musicians in the 1960s. Scholar and longtime musician David Grubbs explores the present-day musical landscape, as listeners encounter experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings.
Preface ix Acknowledgments xxiii Introduction 1 1. Henry Flynt on the Air 19 2. Landscape with Cage 45 3. John Cage, Recording Artist 67 4. The Antiques Trade: Free Improvisation and Record Culture 105 5. Remove the Records from Texas: Online Resources and Impermanent Archives 135 Notes 167 Selected Disography 195 Bibliography 199 Index 209
Preface ix Acknowledgments xxiii Introduction 1 1. Henry Flynt on the Air 19 2. Landscape with Cage 45 3. John Cage, Recording Artist 67 4. The Antiques Trade: Free Improvisation and Record Culture 105 5. Remove the Records from Texas: Online Resources and Impermanent Archives 135 Notes 167 Selected Disography 195 Bibliography 199 Index 209
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