Red Pottage follows a period in the lives of two friends, Rachel West and Hester Gresley. Rachel is a wealthy heiress who falls in love with the weak-willed Hugh Scarlett after he has broken off an affair with Lady Newhaven (which he does not originally realize has been discovered by her husband). Hester, a novelist, lives with her judgmental brother, the pompous vicar of the fictional village of Warpington. Hester's brother disapproves of her writing and eventually burns the manuscript of a novel she has been writing. "I will break it off," says Hugh Scarlett to himself. "Thank Heaven, not a…mehr
Red Pottage follows a period in the lives of two friends, Rachel West and Hester Gresley. Rachel is a wealthy heiress who falls in love with the weak-willed Hugh Scarlett after he has broken off an affair with Lady Newhaven (which he does not originally realize has been discovered by her husband). Hester, a novelist, lives with her judgmental brother, the pompous vicar of the fictional village of Warpington. Hester's brother disapproves of her writing and eventually burns the manuscript of a novel she has been writing. "I will break it off," says Hugh Scarlett to himself. "Thank Heaven, not a soul has ever guessed it." He thinks of the day he first met her, when he looked upon her as merely a pretty woman. He recalls their other days together, and the gradual building up between them of a fairy palace. He added a stone here, she a stone there -- until suddenly it became a prison. Had he been tempter, or tempted? He cannot say. He wants only to be out of it. His infatuation has run its course. His judgment has been whirled -- he tells himself it had been whirled, but had it really only been tweaked? -- from its center. It performed its giddy orbit, and now the check-string has brought it back to the point from whence it had set out -- namely, that she is merely a pretty woman. Yet nothing in life is simple. Lord Newhaven suspects -- or more than suspects: for he introduces the modern equivalent of the duel! And Hugh has had a vision of hope for the future, in a sympathetic soul -- in the eyes of Rachel West.
Mary Cholmondeley (1859 - 1925) was an English novelist. She began writing with serious intent in her teens. She wrote in her journal in 1877, "What a pleasure and interest it would be to me in life to write books. I must strike out a line of some kind, and if I do not marry (for at best that is hardly likely, as I possess neither beauty nor charms) I should want some definite occupation, besides the home duties." She succeeded in publishing some stories in The Graphic and elsewhere. Her first novel was The Danvers Jewels (1887), a detective story that won her a small following. It appeared in the Temple Bar magazine published by Richard Bentley, after fellow novelist Rhoda Broughton had introduced her to George Bentley. It was followed by Sir Charles Danvers (1889), Diana Tempest (1893) and A Devotee (1897). The satirical Red Pottage (1899) was a best-seller on both sides of the Atlantic and is reprinted occasionally. It satirizes religious hypocrisy and the narrowness of country life and was denounced from a London pulpit as immoral. It was equally sensational because it "explored the issues of female sexuality and vocation, recurring topics in late-Victorian debates about the New Women." Despite the book's great success, however, the author received little money for it because she had sold the copyright.
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