Red, White & Black
Cinema and the Structure of U.S. Antagonisms
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Shows how cinema's late 20th and 21st century political narratives of the social and political terrain are symptomatic of America's foundational, triangluated, and unresolved antagonisms: the white demand for expansion; the red (Indian) demand for return
A provocative theoretical critique of representations of race in socially engaged films made since the 1960s.
