This book collects an integrated series of essays addressing the role of film as social criticism. It investigates either a filmmaker or a group of films that make a substantial contribution to debates in the philosophy of technology and environmental philosophy.
This book collects an integrated series of essays addressing the role of film as social criticism. It investigates either a filmmaker or a group of films that make a substantial contribution to debates in the philosophy of technology and environmental philosophy.
Andrew Light is Co-Director of the Applied Philosophy Group in the Department of Humanities and Social Sciences in the Professions at New York University, and Co-Editor of the journal Philosophy and Geography. He has edited or co-edited thirteen anthologies, including Moral and Political Reasoning in Environmental Practice, Technology and the Good Life?, and The Aesthetics of Everyday Life.
Inhaltsangabe
Introduction: Film as Social Philosophy Film, Technology, and Built Space Enemies of the State? Electronic Surveillance and the Neutrality of Technology Wim Wenders's Everyday Aesthetics Boyz in the Woods: Los Angeles as Urban Wilderness Film, Group Interests, and Political Identity John Sayles on Class Interest Spike Lee, Chico Mendes, and the Representation of Political Identity
Introduction: Film as Social Philosophy Film, Technology, and Built Space Enemies of the State? Electronic Surveillance and the Neutrality of Technology Wim Wenders's Everyday Aesthetics Boyz in the Woods: Los Angeles as Urban Wilderness Film, Group Interests, and Political Identity John Sayles on Class Interest Spike Lee, Chico Mendes, and the Representation of Political Identity
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