"Both the Palestinian and Israeli film categories-despite obvious overlaps and relatedness and while keeping in mind the inherent asymmetry of power dynamics-are at the forefront of engaging gender and sexuality"--
"Both the Palestinian and Israeli film categories-despite obvious overlaps and relatedness and while keeping in mind the inherent asymmetry of power dynamics-are at the forefront of engaging gender and sexuality"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sa'ed Atshan is Associate Professor of Anthropology at Emory University, USA. He is the author of Queer Palestine and the Empire of Critique (2020) and coauthor of The Moral Triangle: Germans, Israelis, Palestinians (2020). Katharina Galor is the Hirschfeld Senior Lecturer in Judaic Studies at Brown University, USA. She is the coauthor of The Archeology of Jerusalem: From the Origins through the Ottomans (2013) and The Moral Triangle: Germans, Israelis, Palestinians (2020) and the author of Finding Jerusalem: Archaeology between Science and Ideology (2017).
Inhaltsangabe
Introduction: Film and the Gender Lens Katharina Galor (Brown University, USA) and Sa'ed Atshan (Emory University, USA) Part I: Feminist Perspectives 1. The Religious Feminism of Rama Burshtein's Romances Karen E. H. Skinazi (University of Bristol, UK) 2. Silence.No More.: Palestinian Cinema of Transgression Lema M. Salem (Independent Scholar, Germany) 3. Families on the Edge: Interstitial Relations in Recent Palestinian Women's Cinema Anna Ball (Nottingham Trent University, UK) Part II: Approaching Masculinities 4. Disappearances and Remains: Masculinity in the Cinema of Elia Suleiman Kamran Rastegar (Tufts University, USA) 5. "Queer As Can Be": On Masculinity in Jumana Manna's Blessed, Blessed Oblivion Gil Hochberg (Columbia University, USA) Part III: Israeli-Palestinian Intersections 6. Our African Palestine: Intersectional Specters in the House of Zion Greg Burris (American University of Beirut, Lebanon) 7. Write Down, I Am a Woman Shai Ginsburg (Duke University, USA) 8. Identity (Ex)Changes, Gender, and Family Ties: Cinematic Representations of Israeli Jews and Palestinians Yael Zerubavel (Rutgers University, USA) Filmography Figures Index
Introduction: Film and the Gender Lens Katharina Galor (Brown University, USA) and Sa'ed Atshan (Emory University, USA) Part I: Feminist Perspectives 1. The Religious Feminism of Rama Burshtein's Romances Karen E. H. Skinazi (University of Bristol, UK) 2. Silence.No More.: Palestinian Cinema of Transgression Lema M. Salem (Independent Scholar, Germany) 3. Families on the Edge: Interstitial Relations in Recent Palestinian Women's Cinema Anna Ball (Nottingham Trent University, UK) Part II: Approaching Masculinities 4. Disappearances and Remains: Masculinity in the Cinema of Elia Suleiman Kamran Rastegar (Tufts University, USA) 5. "Queer As Can Be": On Masculinity in Jumana Manna's Blessed, Blessed Oblivion Gil Hochberg (Columbia University, USA) Part III: Israeli-Palestinian Intersections 6. Our African Palestine: Intersectional Specters in the House of Zion Greg Burris (American University of Beirut, Lebanon) 7. Write Down, I Am a Woman Shai Ginsburg (Duke University, USA) 8. Identity (Ex)Changes, Gender, and Family Ties: Cinematic Representations of Israeli Jews and Palestinians Yael Zerubavel (Rutgers University, USA) Filmography Figures Index
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