Lesley Milne is Professor and Head of Department in the Department of Russian and Slavonic Studies, Nottingham University, UK.
Inhaltsangabe
Notes on Transliteration Notes on the Contributors Acknowledgements 1. Introduction 2. Tragicomic Principles in Pushkin's Drama 'The Covetous Knight' 3. Gogol as a Narrator of Anecdotes 4. Antony Pogorelsky and A.K. Tolstoi: The Origins of Kozma Prutkov 5. Comedy between the Poles of Humour and Tragedy, Beauty and Ugliness: Prince Myshkin as a Comic Character 6. The Young Lev Tolstoi and Laurence Sterne's A Sentimental Journey: the Test of Irony 7. Fashioning Life: Teffi and Women's Humour 8. Two Facets of Comedic Space in Russian Literature of the Modern Period: How Foolishness and Buffoonery 9. Jokers, Rogues and Innocents: Types of Comic Hero and Author from Bulgakov to Pelevin 10. Escaping the Past? Re-reading Soviet Satire from the Twentyfirst Century: the Case of Zoshchenko 11. Evengy Zamiatin: The Art of Irony 12. Godless at the Machine Tool: Antireligious Humoristic Journals of the 1920s and 1930s 13. The Singing Masses and the Laughing State in the Musical Comedy of the Stalinist 1930s 14. The Theory and Practice of 'Scientific Parody' in Early Soviet Russia 15. Laughing at the Hangman: Humourous Portraits of Stalin 16. Varieties of Reflexivity in the Russo-Soviet Anekdot 17. Humour and Satire on Post-Soviet Russian Television
Notes on Transliteration Notes on the Contributors Acknowledgements 1. Introduction 2. Tragicomic Principles in Pushkin's Drama 'The Covetous Knight' 3. Gogol as a Narrator of Anecdotes 4. Antony Pogorelsky and A.K. Tolstoi: The Origins of Kozma Prutkov 5. Comedy between the Poles of Humour and Tragedy, Beauty and Ugliness: Prince Myshkin as a Comic Character 6. The Young Lev Tolstoi and Laurence Sterne's A Sentimental Journey: the Test of Irony 7. Fashioning Life: Teffi and Women's Humour 8. Two Facets of Comedic Space in Russian Literature of the Modern Period: How Foolishness and Buffoonery 9. Jokers, Rogues and Innocents: Types of Comic Hero and Author from Bulgakov to Pelevin 10. Escaping the Past? Re-reading Soviet Satire from the Twentyfirst Century: the Case of Zoshchenko 11. Evengy Zamiatin: The Art of Irony 12. Godless at the Machine Tool: Antireligious Humoristic Journals of the 1920s and 1930s 13. The Singing Masses and the Laughing State in the Musical Comedy of the Stalinist 1930s 14. The Theory and Practice of 'Scientific Parody' in Early Soviet Russia 15. Laughing at the Hangman: Humourous Portraits of Stalin 16. Varieties of Reflexivity in the Russo-Soviet Anekdot 17. Humour and Satire on Post-Soviet Russian Television
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