Reflective Laughter
Aspects of Humour in Russian Culture
Herausgeber: Milne, Lesley
Reflective Laughter
Aspects of Humour in Russian Culture
Herausgeber: Milne, Lesley
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A witty overview of humour in Russian culture.
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A witty overview of humour in Russian culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Anthem Press
- Seitenzahl: 232
- Erscheinungstermin: 29. September 2004
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 360g
- ISBN-13: 9781843311195
- ISBN-10: 1843311194
- Artikelnr.: 22195444
- Verlag: Anthem Press
- Seitenzahl: 232
- Erscheinungstermin: 29. September 2004
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 360g
- ISBN-13: 9781843311195
- ISBN-10: 1843311194
- Artikelnr.: 22195444
Edited by Lesley Milne
Notes on Transliteration
Notes on the Contributors
Acknowledgements
1. Introduction
2. Tragicomic Principles in Pushkin's Drama 'The Covetous Knight'
3. Gogol as a Narrator of Anecdotes
4. Antony Pogorelsky and A.K. Tolstoi: The Origins of Kozma Prutkov
5. Comedy between the Poles of Humour and Tragedy, Beauty and Ugliness: Prince Myshkin as a Comic Character
6. The Young Lev Tolstoi and Laurence Sterne's A Sentimental Journey: the Test of Irony
7. Fashioning Life: Teffi and Women's Humour
8. Two Facets of Comedic Space in Russian Literature of the Modern Period: How Foolishness and Buffoonery
9. Jokers, Rogues and Innocents: Types of Comic Hero and Author from Bulgakov to Pelevin
10. Escaping the Past? Re-reading Soviet Satire from the Twentyfirst Century: the Case of Zoshchenko
11. Evengy Zamiatin: The Art of Irony
12. Godless at the Machine Tool: Antireligious Humoristic Journals of the 1920s and 1930s
13. The Singing Masses and the Laughing State in the Musical Comedy of the Stalinist 1930s
14. The Theory and Practice of 'Scientific Parody' in Early Soviet Russia
15. Laughing at the Hangman: Humourous Portraits of Stalin
16. Varieties of Reflexivity in the Russo-Soviet Anekdot
17. Humour and Satire on Post-Soviet Russian Television
Notes on the Contributors
Acknowledgements
1. Introduction
2. Tragicomic Principles in Pushkin's Drama 'The Covetous Knight'
3. Gogol as a Narrator of Anecdotes
4. Antony Pogorelsky and A.K. Tolstoi: The Origins of Kozma Prutkov
5. Comedy between the Poles of Humour and Tragedy, Beauty and Ugliness: Prince Myshkin as a Comic Character
6. The Young Lev Tolstoi and Laurence Sterne's A Sentimental Journey: the Test of Irony
7. Fashioning Life: Teffi and Women's Humour
8. Two Facets of Comedic Space in Russian Literature of the Modern Period: How Foolishness and Buffoonery
9. Jokers, Rogues and Innocents: Types of Comic Hero and Author from Bulgakov to Pelevin
10. Escaping the Past? Re-reading Soviet Satire from the Twentyfirst Century: the Case of Zoshchenko
11. Evengy Zamiatin: The Art of Irony
12. Godless at the Machine Tool: Antireligious Humoristic Journals of the 1920s and 1930s
13. The Singing Masses and the Laughing State in the Musical Comedy of the Stalinist 1930s
14. The Theory and Practice of 'Scientific Parody' in Early Soviet Russia
15. Laughing at the Hangman: Humourous Portraits of Stalin
16. Varieties of Reflexivity in the Russo-Soviet Anekdot
17. Humour and Satire on Post-Soviet Russian Television
Notes on Transliteration
Notes on the Contributors
Acknowledgements
1. Introduction
2. Tragicomic Principles in Pushkin's Drama 'The Covetous Knight'
3. Gogol as a Narrator of Anecdotes
4. Antony Pogorelsky and A.K. Tolstoi: The Origins of Kozma Prutkov
5. Comedy between the Poles of Humour and Tragedy, Beauty and Ugliness: Prince Myshkin as a Comic Character
6. The Young Lev Tolstoi and Laurence Sterne's A Sentimental Journey: the Test of Irony
7. Fashioning Life: Teffi and Women's Humour
8. Two Facets of Comedic Space in Russian Literature of the Modern Period: How Foolishness and Buffoonery
9. Jokers, Rogues and Innocents: Types of Comic Hero and Author from Bulgakov to Pelevin
10. Escaping the Past? Re-reading Soviet Satire from the Twentyfirst Century: the Case of Zoshchenko
11. Evengy Zamiatin: The Art of Irony
12. Godless at the Machine Tool: Antireligious Humoristic Journals of the 1920s and 1930s
13. The Singing Masses and the Laughing State in the Musical Comedy of the Stalinist 1930s
14. The Theory and Practice of 'Scientific Parody' in Early Soviet Russia
15. Laughing at the Hangman: Humourous Portraits of Stalin
16. Varieties of Reflexivity in the Russo-Soviet Anekdot
17. Humour and Satire on Post-Soviet Russian Television
Notes on the Contributors
Acknowledgements
1. Introduction
2. Tragicomic Principles in Pushkin's Drama 'The Covetous Knight'
3. Gogol as a Narrator of Anecdotes
4. Antony Pogorelsky and A.K. Tolstoi: The Origins of Kozma Prutkov
5. Comedy between the Poles of Humour and Tragedy, Beauty and Ugliness: Prince Myshkin as a Comic Character
6. The Young Lev Tolstoi and Laurence Sterne's A Sentimental Journey: the Test of Irony
7. Fashioning Life: Teffi and Women's Humour
8. Two Facets of Comedic Space in Russian Literature of the Modern Period: How Foolishness and Buffoonery
9. Jokers, Rogues and Innocents: Types of Comic Hero and Author from Bulgakov to Pelevin
10. Escaping the Past? Re-reading Soviet Satire from the Twentyfirst Century: the Case of Zoshchenko
11. Evengy Zamiatin: The Art of Irony
12. Godless at the Machine Tool: Antireligious Humoristic Journals of the 1920s and 1930s
13. The Singing Masses and the Laughing State in the Musical Comedy of the Stalinist 1930s
14. The Theory and Practice of 'Scientific Parody' in Early Soviet Russia
15. Laughing at the Hangman: Humourous Portraits of Stalin
16. Varieties of Reflexivity in the Russo-Soviet Anekdot
17. Humour and Satire on Post-Soviet Russian Television