This book provides a theoretically grounded account of the impact of digital technology on the music business, and develops the concept of the musical network to understand the transformation of this economy over space and through time.
This book provides a theoretically grounded account of the impact of digital technology on the music business, and develops the concept of the musical network to understand the transformation of this economy over space and through time.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew Leyshon is Professor of Economic Geography and Head of the School of Geography (2011-2015), University of Nottingham. He has authored and edited several books and published over 100 academic papers and chapters. He was Editor-in-Chief of Geoforum between 1995-2006, has presented over 90 conference papers and seminars, been a Principal Investigator on six major Economic and Social Research Council grants. He was, until 2012, Deputy Director of the Financial Services Research Forum at Nottingham University Business School. He is a member of the Editorial Board of Environment and Planning A, and of the Editorial Advisory Board of Economy and Society.In 2007 he was elected as an Academician of the Academy of Social Sciences and he is a Fellow of the Royal Geographical Society.
Inhaltsangabe
* 1: Crisis? What Crisis? * 2: Time-Space (and Digital) Compression: Software Formats, Musical Networks, and the Reorganization of the Music Industry * 3: Scary Monsters? Software Formats, Peer-to-Peer Networks, and the Spectre of the Gift * 4: On the Reproduction of the Musical Economy after the Internet * 5: The Software Slump?: Digital Music, the Democratization of Technology, and the Decline of the Recording Studio Sector Within the Musical Economy * 6: A Social Experiment in the Musical Economy: Terra Firma, EMI and Calling Creativity to Account * 7: Afterword
* 1: Crisis? What Crisis? * 2: Time-Space (and Digital) Compression: Software Formats, Musical Networks, and the Reorganization of the Music Industry * 3: Scary Monsters? Software Formats, Peer-to-Peer Networks, and the Spectre of the Gift * 4: On the Reproduction of the Musical Economy after the Internet * 5: The Software Slump?: Digital Music, the Democratization of Technology, and the Decline of the Recording Studio Sector Within the Musical Economy * 6: A Social Experiment in the Musical Economy: Terra Firma, EMI and Calling Creativity to Account * 7: Afterword
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