This book considers the impact of religious reform on the devotional art and architecture of sixteenth-century Venice. Interrogating early modern censorship, artistic liberty, notions of decorum tied to depictions of the body, and the role of sacred images in the shaping of local identity, it showcases a study through which to explore these themes.
This book considers the impact of religious reform on the devotional art and architecture of sixteenth-century Venice. Interrogating early modern censorship, artistic liberty, notions of decorum tied to depictions of the body, and the role of sacred images in the shaping of local identity, it showcases a study through which to explore these themes.
Marie-Louise Lillywhite is the senior tutor of the Middlebury College Centre for Medieval and Renaissance Studies in Oxford, as well as a research associate at Keble College and a member of the History Faculty at the University of Oxford.
Inhaltsangabe
Acknowledgements Introduction Part I: 1. The appeal of the subversive: art and heresy (1520-1544) 2. Nakedness and the lascivious: the boundaries of decorum before and after the Council of Trent 3. The limits of enforcement: artistic censorship in Venice 4. A reform in quantity: patriarch Lorenzo Priuli's visitation Part II: 5. The body of Christ 6. Sanctity 7. The afterlife Conclusions Bibliography Index
Acknowledgements Introduction Part I: 1. The appeal of the subversive: art and heresy (1520-1544) 2. Nakedness and the lascivious: the boundaries of decorum before and after the Council of Trent 3. The limits of enforcement: artistic censorship in Venice 4. A reform in quantity: patriarch Lorenzo Priuli's visitation Part II: 5. The body of Christ 6. Sanctity 7. The afterlife Conclusions Bibliography Index
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