Examines how queer filmmakers and viedographers bore witness to the historical trauma of the AIDS epidemic in the late 1980s and 1990s.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Roger Hallas is an assistant professor of English at Syracuse University. He is the coeditor of The Image and the Witness: Trauma, Memory and Visual Culture.
Inhaltsangabe
Illustrations ix Acknowledgments xi Introduction 1 1. Historical Trauma and the Performance of Talking Heads 35 2. The Embodied Immediacy of Direct Action: Space and Movement in AIDS Video Activism 77 3. Related Bodies: Resisting Confession in Autobiographical AIDS Video 113 4. Queer Anachronism and the Testimonial Space of Song 151 5. Gay Cinephilia and the Cherished Body of Experimental Film 185 6. Sound, Image, and the Corporeal Implication of Witnessing 217 Afterword 241 Notes 253 Bibliography 291 Index 307
Illustrations ix Acknowledgments xi Introduction 1 1. Historical Trauma and the Performance of Talking Heads 35 2. The Embodied Immediacy of Direct Action: Space and Movement in AIDS Video Activism 77 3. Related Bodies: Resisting Confession in Autobiographical AIDS Video 113 4. Queer Anachronism and the Testimonial Space of Song 151 5. Gay Cinephilia and the Cherished Body of Experimental Film 185 6. Sound, Image, and the Corporeal Implication of Witnessing 217 Afterword 241 Notes 253 Bibliography 291 Index 307
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