This book investigates the neglected, interdisciplinary contexts of medieval poetics and optics and through comparative study of Islamic court ceremonials.
This book investigates the neglected, interdisciplinary contexts of medieval poetics and optics and through comparative study of Islamic court ceremonials.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Olga Bush (Ph. D., Institute of Fine Arts, NYU) is Visiting Scholar of Islamic art and architecture at Vassar College. She has received national and international awards for her work on medieval Muslim Spain, cross-cultural interaction in the medieval Mediterranean, and modern European and American Orientalism, publishing numerous articles and co-editing, with Avinoam Shalem, Gazing Otherwise: Modalities of Seeing in and Beyond the Lands of Islam (2016).
Inhaltsangabe
List of Figures Series Editor's Foreword Acknowledgments Introduction 1. Colour, Design and Medieval Optics 2. Addressing the Beholder: The Work of Poetic Inscriptions 3. Qalahurra of Y4. "Textile Architecture" in the Cuarto Dorado 5. Integrating Aesthetic and Politics: The Mawlid Celebration in the Alhambra Appendix Bibliography Illustration Acknowledgments Indices.
List of Figures Series Editor's Foreword Acknowledgments Introduction 1. Colour, Design and Medieval Optics 2. Addressing the Beholder: The Work of Poetic Inscriptions 3. Qalahurra of Y4. "Textile Architecture" in the Cuarto Dorado 5. Integrating Aesthetic and Politics: The Mawlid Celebration in the Alhambra Appendix Bibliography Illustration Acknowledgments Indices.
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