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Highlights the significance of real and imagined spaces created by reggae through a politics of celebration, revolution, and a complex (dis)/unity among an international community of reggae pilgrims.

Produktbeschreibung
Highlights the significance of real and imagined spaces created by reggae through a politics of celebration, revolution, and a complex (dis)/unity among an international community of reggae pilgrims.
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Autorenporträt
Sonjah Stanley Niaah is the inaugural Rhodes Trust Rex Nettleford Fellow in Cultural Studies and a Senior Lecturer in Cultural Studies at the University of the West Indies (UWI) at Mona. She has been researching Black Atlantic performance geographies, ritual, dance, popular culture and the sacred, cultural studies theory and Caribbean cultural studies for many years. She is the author of the award-winning Dancehall: From Slave Ship to Ghetto (2010, University of Ottawa Press), and editor of "I'm Broader than Broadway: Caribbean Perspectives on Producing Celebrity' (Wadabagei, Vol. 12: 2, 2009). She is the Vice Chair of the international Association for Cultural Studies.