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This book documents the rise in youth creativity, entrepreneurship, and collective strategies to address systemic barriers and discrimination in the creative industries and create an expanded, more diverse, inclusive, equitable, and caring field. Although the difficulties of entering and making a living in the creative industries-a field which can often perpetuate dominant patterns of social exclusion and economic inequality-are well documented, there is still an absence of guidance on how young creatives can navigate this environment. Foregrounding an intersectional approach, Reimagining the…mehr

Produktbeschreibung
This book documents the rise in youth creativity, entrepreneurship, and collective strategies to address systemic barriers and discrimination in the creative industries and create an expanded, more diverse, inclusive, equitable, and caring field. Although the difficulties of entering and making a living in the creative industries-a field which can often perpetuate dominant patterns of social exclusion and economic inequality-are well documented, there is still an absence of guidance on how young creatives can navigate this environment. Foregrounding an intersectional approach, Reimagining the Creative Industries responds to this gap by documenting the work of contemporary youth collectives and organizations that are responding to these systemic barriers and related challenges by creating more caring and community-oriented alternatives. Mobilizing a care ethics framework, Miranda Campbell underscores forms of care that highlight relationality, recognize structural barriers, and propose new visions for the creative industries. This book posits a future where creativity, collaboration, and community are possible through increased avenues for co-creation, teaching and learning, and community engagement. Anyone interested in thinking critically about the creative industries, youth culture, community work, and creative employment will be drawn to Campbell's incisive work.
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Autorenporträt
Miranda Campbell is an Associate Professor in the School of Creative Industries at Ryerson University in Toronto, Canada. Her research focuses on creative employment, youth culture, and small-scale and emerging forms of creative practice. Her book, Out of the Basement: Youth Cultural Production in Practice and in Policy, was shortlisted for the Donner Prize for the best public policy book by a Canadian. Her involvement with creative communities includes coordination and Board of Director roles with Rock Camp for Girls Montreal, a summer camp dedicated to empowerment for girls through music education, and with WhipperSnapper Gallery, an artist-run center focusing on emerging artists in Toronto.