Relational Improvisation explores the creative exchanges that occur between artistic disciplines through the practice of improvisation in performance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Simon Rose is an independent researcher and professional musician. He holds a PhD from Glasgow Caledonian University and is the author of The Lived Experience of Improvisation: In Music, Learning and Life.
Inhaltsangabe
Contents Chapter 1 Double-resonance: improvisation, relationality and transdisciplinarity. Simon Rose Chapter 2 The performance of improvised music: what do we mean when we talk about performance? Simon Rose Chapter 3 Contemporary Art and Improvisation. Simon Rose and Julie Myers Chapter 4 The shared space of improvisation in dance and music. Simon Rose and Ingo Reulecke Chapter 5 Levels of improvisation and neocybernetic relations. Simon Rose and Adam Pultz Melbye Chapter 6 Interspecies improvisation. Simon Rose and Barbara Berti. Chapter 7 A phenomenology of improvisation in dance and music: peripatetic symphilosophein. Simon Rose and Andrew Wass Chapter 8 From South Korea to Berlin: 'moving between the notes' in collaborative and improvisation. Simon Rose and Youjin Sung Chapter 9 Sympoiesis and improvisation: how I work, how you work and how we work. Simon Rose and Paul Stapleton Chapter 10 Musical identity and exchange in improvisation. Simon Rose and Kriton Beyer Chapter 11 Light, music and improvisation. Simon Rose, Lena Czerniawska, Emese Csornai and Viola Yip Chapter 12 Improvisation and uncovering collaboration. Simon Rose and Nicola L. Hein.
Contents
Chapter 1 Double-resonance: improvisation, relationality and transdisciplinarity. Simon Rose
Chapter 2 The performance of improvised music: what do we mean when we talk about performance? Simon Rose
Chapter 3 Contemporary Art and Improvisation. Simon Rose and Julie Myers
Chapter 4 The shared space of improvisation in dance and music. Simon Rose and Ingo Reulecke
Chapter 5 Levels of improvisation and neocybernetic relations. Simon Rose and Adam Pultz Melbye
Chapter 6 Interspecies improvisation. Simon Rose and Barbara Berti.
Chapter 7 A phenomenology of improvisation in dance and music: peripatetic symphilosophein. Simon Rose and Andrew Wass
Chapter 8 From South Korea to Berlin: 'moving between the notes' in collaborative and improvisation. Simon Rose and Youjin Sung
Chapter 9 Sympoiesis and improvisation: how I work, how you work and how we work.
Simon Rose and Paul Stapleton
Chapter 10 Musical identity and exchange in improvisation. Simon Rose and Kriton Beyer
Chapter 11 Light, music and improvisation. Simon Rose, Lena Czerniawska, Emese Csornai and Viola Yip
Chapter 12 Improvisation and uncovering collaboration. Simon Rose and Nicola L. Hein.
Contents Chapter 1 Double-resonance: improvisation, relationality and transdisciplinarity. Simon Rose Chapter 2 The performance of improvised music: what do we mean when we talk about performance? Simon Rose Chapter 3 Contemporary Art and Improvisation. Simon Rose and Julie Myers Chapter 4 The shared space of improvisation in dance and music. Simon Rose and Ingo Reulecke Chapter 5 Levels of improvisation and neocybernetic relations. Simon Rose and Adam Pultz Melbye Chapter 6 Interspecies improvisation. Simon Rose and Barbara Berti. Chapter 7 A phenomenology of improvisation in dance and music: peripatetic symphilosophein. Simon Rose and Andrew Wass Chapter 8 From South Korea to Berlin: 'moving between the notes' in collaborative and improvisation. Simon Rose and Youjin Sung Chapter 9 Sympoiesis and improvisation: how I work, how you work and how we work. Simon Rose and Paul Stapleton Chapter 10 Musical identity and exchange in improvisation. Simon Rose and Kriton Beyer Chapter 11 Light, music and improvisation. Simon Rose, Lena Czerniawska, Emese Csornai and Viola Yip Chapter 12 Improvisation and uncovering collaboration. Simon Rose and Nicola L. Hein.
Contents
Chapter 1 Double-resonance: improvisation, relationality and transdisciplinarity. Simon Rose
Chapter 2 The performance of improvised music: what do we mean when we talk about performance? Simon Rose
Chapter 3 Contemporary Art and Improvisation. Simon Rose and Julie Myers
Chapter 4 The shared space of improvisation in dance and music. Simon Rose and Ingo Reulecke
Chapter 5 Levels of improvisation and neocybernetic relations. Simon Rose and Adam Pultz Melbye
Chapter 6 Interspecies improvisation. Simon Rose and Barbara Berti.
Chapter 7 A phenomenology of improvisation in dance and music: peripatetic symphilosophein. Simon Rose and Andrew Wass
Chapter 8 From South Korea to Berlin: 'moving between the notes' in collaborative and improvisation. Simon Rose and Youjin Sung
Chapter 9 Sympoiesis and improvisation: how I work, how you work and how we work.
Simon Rose and Paul Stapleton
Chapter 10 Musical identity and exchange in improvisation. Simon Rose and Kriton Beyer
Chapter 11 Light, music and improvisation. Simon Rose, Lena Czerniawska, Emese Csornai and Viola Yip
Chapter 12 Improvisation and uncovering collaboration. Simon Rose and Nicola L. Hein.
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