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Ancestry is fascinating. Like fingerprints and DNA, each of our ancestors has individual traits and each has a unique story to tell within the interlinked webs they have created, or which have unavoidably been created by others at their expense. This work focuses on some of the closeted stories I uncovered on my journey through the ancestral mire. They are stories that, when shared, will expectantly become a therapy, not only for the ancestors, but for the reader as well. Please join me therefore in this voyage through the underworld of the past, via the present, to a more enlightened future,…mehr

Produktbeschreibung
Ancestry is fascinating. Like fingerprints and DNA, each of our ancestors has individual traits and each has a unique story to tell within the interlinked webs they have created, or which have unavoidably been created by others at their expense. This work focuses on some of the closeted stories I uncovered on my journey through the ancestral mire. They are stories that, when shared, will expectantly become a therapy, not only for the ancestors, but for the reader as well. Please join me therefore in this voyage through the underworld of the past, via the present, to a more enlightened future, for there can be no shame, or dishonour, in uncovering truths in order to loosen the links of the karmic chains of the ancestors, so that they (and ultimately us) can become unfettered from the past.
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Autorenporträt
This, the third and most involved work by the author on the growing research into Stone Age portable rock art, is a must read for all interested parties. Beginning with handaxes crafted by the earliest inhabitants of the British Isles, one million years ago, it details that they carved, pecked and knapped these artefacts as art. Handaxes of all types, shapes and forms were not so much meant for use as weapons, but more as tools and ceremonial objects, having dual ritualistic and practical functions. Passed down as ancestral heirlooms, they became enthused with 'mana' and were often placed as offerings in streams, or at tomb and grave sites, or by sacred groves. Until now, the designs seen of these artefacts have not generally been recognised as art. The main theme of this work therefore is to introduce these artforms in detail to the world of archaeology and the public alike. Intangible, ritualistic meanings they once held, yet tangible stone art they remain, preserved as monuments to the skill and cognitive abilities of our most distant ancestors.