This literary and cultural study explores the practice in nineteenth-century Britain of treasuring objects that had belonged to the dead.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Deborah Lutz is an Associate Professor of Victorian Literature and Culture at Long Island University, C. W. Post Campus. She is the author of Pleasure Bound: Victorian Sex Rebels and the New Eroticism (2011) and The Dangerous Lover: Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative (2006).
Inhaltsangabe
Introduction: lyrical matter 1. Infinite materiality: Keats, D. G. Rossetti and the Romantics 2. The miracle of ordinary things: Brontë and Wuthering Heights 3. The many faces of death masks: Dickens and Great Expectations 4. The elegy as shrine: Tennyson and 'In Memoriam' 5. Hair jewelry as congealed time: Hardy and Far from the Madding Crowd Afterword: death as death Bibliography.
Introduction: lyrical matter 1. Infinite materiality: Keats, D. G. Rossetti and the Romantics 2. The miracle of ordinary things: Brontë and Wuthering Heights 3. The many faces of death masks: Dickens and Great Expectations 4. The elegy as shrine: Tennyson and 'In Memoriam' 5. Hair jewelry as congealed time: Hardy and Far from the Madding Crowd Afterword: death as death Bibliography.
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