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Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture.

Produktbeschreibung
Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture.
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Autorenporträt
Ying Zhang, Ph.D. (2010, University of Michigan), is Associate Professor of Premodern Chinese History at Ohio State University. She has published on the political and cultural history of early modern China, including Confucian Image Politics: Masculine Morality in Seventeenth-Century China (University of Washington Press, 2017).