Investigates German religious drama since the 1970s, asking the question whether it develops religious themes or only exploits religious motifs, and exploring how it reflects the changing place of religion and spirituality in theworld.
Investigates German religious drama since the 1970s, asking the question whether it develops religious themes or only exploits religious motifs, and exploring how it reflects the changing place of religion and spirituality in theworld.
Introduction: Definitions and Themes The Relationship between Theater and Religion Religion in Modern European Theater and Drama "No One Wants to Get to God Anymore"? Botho Strauß's Groß und klein and Die eine und die andere Theological Farce: George Tabori's Mein Kampf "The Last Refuge for Metaphysics": Werner Fritsch's Theater Theory "The Feeling of Faith": Fritsch's Wondreber Totentanz and Aller Seelen Belief and Unbelief in the Twenty-First Century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen) Conclusion Bibliography Index
Introduction: Definitions and Themes The Relationship between Theater and Religion Religion in Modern European Theater and Drama "No One Wants to Get to God Anymore"? Botho Strauß's Groß und klein and Die eine und die andere Theological Farce: George Tabori's Mein Kampf "The Last Refuge for Metaphysics": Werner Fritsch's Theater Theory "The Feeling of Faith": Fritsch's Wondreber Totentanz and Aller Seelen Belief and Unbelief in the Twenty-First Century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen) Conclusion Bibliography Index
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