This collection argues that religion is an explicitly public force that stimulates and complicates public actions. In short, it is a crucial aspect of much performance. This collection is both a means of, and urgent argument for, expanding the attention paid to religion as a critical point of concern within theatre and performance studies.
This collection argues that religion is an explicitly public force that stimulates and complicates public actions. In short, it is a crucial aspect of much performance. This collection is both a means of, and urgent argument for, expanding the attention paid to religion as a critical point of concern within theatre and performance studies.
Lance Gharavi is Associate Professor of Theatre in the School of Theatre and Film, Arizona State University, USA.
Inhaltsangabe
Introduction Lance Gharavi Part I: Religious Actors 1. Becoming-empty: Tantrism and Theatre Anthony Kubiak 2. The Theology of Actor Training: David Mamet the Old Religion and the New Actor Henry Bial 3. Hesychasm and Monastic Culture: Models for Understanding Holistic Acting Andrew White 4. Queer Structures of Religious Feeling Ann Pellegrini 5. Corporeality and Spiritual Transformation Donnalee Dox Part II: Dramas and Theatres 6. Who is Rama? Richard Schechner 7. Ali Ahmed Bakathir Islamic Playwright Marvin Carlson 8. The Symbolist Legacy to Present-day Theatre: The Argument Daniel Gerould 9. Invoking Gandhi: A Yoruba-Hindu-Muslim-Brazilian Sacred Fantasy Isis McElroy Part III: Stages of Conflict 10. Performing Peace and Enacting Conflict in the Santa Fe Fiesta Ronald L. Grimes 11. 'Prepare to Believe': The Creation Museum's Staging of Science and Religion John Fletcher 12. Plain Speech Acts: Quakerism Performance Studies and Immigration Activism Tamara Underiner 13. Israeli Theatre's Homeopathic Struggle with the Religious Demon Gad Kaynar 14. About/Doing Religion and Theatre: Study and Practice in the Academy Lance Gharavi
Introduction Lance Gharavi Part I: Religious Actors 1. Becoming-empty: Tantrism and Theatre Anthony Kubiak 2. The Theology of Actor Training: David Mamet the Old Religion and the New Actor Henry Bial 3. Hesychasm and Monastic Culture: Models for Understanding Holistic Acting Andrew White 4. Queer Structures of Religious Feeling Ann Pellegrini 5. Corporeality and Spiritual Transformation Donnalee Dox Part II: Dramas and Theatres 6. Who is Rama? Richard Schechner 7. Ali Ahmed Bakathir Islamic Playwright Marvin Carlson 8. The Symbolist Legacy to Present-day Theatre: The Argument Daniel Gerould 9. Invoking Gandhi: A Yoruba-Hindu-Muslim-Brazilian Sacred Fantasy Isis McElroy Part III: Stages of Conflict 10. Performing Peace and Enacting Conflict in the Santa Fe Fiesta Ronald L. Grimes 11. 'Prepare to Believe': The Creation Museum's Staging of Science and Religion John Fletcher 12. Plain Speech Acts: Quakerism Performance Studies and Immigration Activism Tamara Underiner 13. Israeli Theatre's Homeopathic Struggle with the Religious Demon Gad Kaynar 14. About/Doing Religion and Theatre: Study and Practice in the Academy Lance Gharavi
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