Reluctant Gravities: Poems - Waldrop, Rosmarie
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In her new volume of prose poem "dialogues," Reluctant Gravities, Rosmarie Waldrop once again pushes the boundaries and definitions of poetry, prose, gender, relationship, even language itself. Intended as a sequel to The Reproduction of Profiles and Lawn of Excluded Middle, Reluctant Gravities  gives the rhetorical "you" addressed in those earlier volumes a voice and response. Some of Waldrop's concerns are formal. As the author herself says, she "cultivates cuts, discontinuity, leaps, shifts of reference" in an attempt to compensate for the lack of margin, where verse would turn toward the…mehr

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Produktbeschreibung
In her new volume of prose poem "dialogues," Reluctant Gravities, Rosmarie Waldrop once again pushes the boundaries and definitions of poetry, prose, gender, relationship, even language itself. Intended as a sequel to The Reproduction of Profiles and Lawn of Excluded Middle, Reluctant Gravities  gives the rhetorical "you" addressed in those earlier volumes a voice and response. Some of Waldrop's concerns are formal. As the author herself says, she "cultivates cuts, discontinuity, leaps, shifts of reference" in an attempt to compensate for the lack of margin, where verse would turn toward the white of the page, toward what is not. Instead, her "gap gardening" tries to place the margin, the emptiness inside the text. Yet the overriding point of the dialogues is determinedly human as the two voices with wit and philosophical playfulness debate aspects of "Aging," "Depression," "Desire," and even ''The Millennium."
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Autorenporträt
Rosmarie Waldrop, born in Germany in 1935, is the author of several books of poetry, fiction, and essays, and a noted translator of French and German poetry. Her most recent books are The Nick of Time, Gap Gardening: Selected Poems (winner of the Los Angeles Book Prize), and Driven to Abstraction. She is a member of the American Academy of Arts of Letters, and is a Chevalier of the Ordre des Arts et des Lettres. For fifty-six years, she and her husband Keith Waldrop ran one of the country's most vibrant experimental poetry presses, Burning Deck, in Providence, Rhode Island.