This book reveals how the story of revolution was reinvented to appeal and entertain a new generation and provides important clues to the understanding of transformation of class, gender and locality in contemporary China.
This book reveals how the story of revolution was reinvented to appeal and entertain a new generation and provides important clues to the understanding of transformation of class, gender and locality in contemporary China.
Produktdetails
Produktdetails
Media, Culture and Communication in Asia-Pacific Societies
Qian Gong is a Lecturer at Curtin University and convenor of the Chinese major program, as well as publishing regularly on Chinese media and popular culture. She was a journalist for China's national newspaper China Daily before she joined academia.
Inhaltsangabe
Acknowledgements Introduction: Revolution and TV Drama: The Uneasy Bedfellows in the Reform Era Chapter 1: TV Dramas as Market Commodities, Cultural Artifacts and Social Practices Chapter 2: Hybridising the Red Classics in Post-Mao China: The Production and Consumption Context Chapter 3: From Chief to Chef: Remoulding Heroes Chapter 4: Getting the Right Mix: Revolutionary Women and Contemporary Femininity Chapter 5: Living Red: Production, Consumption and Local Memory of Revolutionary Culture in Linyi Chapter 6 The Question of Faith in TV Drama Series Conclusion Filmography Bibliography
Acknowledgements Introduction: Revolution and TV Drama: The Uneasy Bedfellows in the Reform Era Chapter 1: TV Dramas as Market Commodities, Cultural Artifacts and Social Practices Chapter 2: Hybridising the Red Classics in Post-Mao China: The Production and Consumption Context Chapter 3: From Chief to Chef: Remoulding Heroes Chapter 4: Getting the Right Mix: Revolutionary Women and Contemporary Femininity Chapter 5: Living Red: Production, Consumption and Local Memory of Revolutionary Culture in Linyi Chapter 6 The Question of Faith in TV Drama Series Conclusion Filmography Bibliography
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