This book comprises material on colour which was written by Wittgenstein in the last eighteen months of his life. It is one of the few documents which shows him concentratedly at work on a single philosophical issue. The principal theme is the features of different colours, of different kinds of colour (metallic colour, the colours of flames, etc.) and of luminosity-a theme which Wittgenstein treats in such a way as to destroy the traditional idea that colour is a simple and logically uniform kind of thing.
This book comprises material on colour which was written by Wittgenstein in the last eighteen months of his life. It is one of the few documents which shows him concentratedly at work on a single philosophical issue. The principal theme is the features of different colours, of different kinds of colour (metallic colour, the colours of flames, etc.) and of luminosity-a theme which Wittgenstein treats in such a way as to destroy the traditional idea that colour is a simple and logically uniform kind of thing.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ludwig Wittgenstein (1889-1951) was arguably the most influential philosopher of the twentieth century. He was born in Vienna, but studied and practiced philosophy in Great Britain. He was a professor of philosophy at the University of Cambridge from 1939 until 1947. He worked in and transformed the fields of logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. Anscombe (1919-2001) read classics and philosophy at St Hugh's College, Oxford from 1937 to 1941 in which year she married the philosopher Peter Geach. She subsequently researched in philosophy at Newnham College, Cambridge where she became a student and friend of Ludwig Wittgenstein. One of his literary executors, she played a large part in editing his unpublished works and was their principal English translator. In 1946 she returned to Oxford as a University Lecturer in 1951. From 1970 until her retirement in 1986 she held the Chair of Philosophy at Cambridge.
Inhaltsangabe
Part I: Introduction Preface Introduction to Wittgenstein's philosophy of color Key concepts: color names, color space, seeing aspects Part II: Philosophical Investigations on Color Section 1: Basic Color Concepts The nature of color terms and their application The relationship between color and object Can we imagine impossible colors? Section 2: Color Comparisons and Similarity How we judge whether two colors are the same or different The role of context in color perception Color illusions and their philosophical significance Section 3: Language and Color Experience The limits of language in describing color Private language arguments related to color The social construction of color categories Section 4: Seeing Aspects and Color Perception The idea of "seeing aspects" and its application to color The relationship between perception and judgment in color Part III: Conclusion Summary of key points regarding color and language Open questions and further considerations
Part I: Introduction Preface Introduction to Wittgenstein's philosophy of color Key concepts: color names, color space, seeing aspects Part II: Philosophical Investigations on Color Section 1: Basic Color Concepts The nature of color terms and their application The relationship between color and object Can we imagine impossible colors? Section 2: Color Comparisons and Similarity How we judge whether two colors are the same or different The role of context in color perception Color illusions and their philosophical significance Section 3: Language and Color Experience The limits of language in describing color Private language arguments related to color The social construction of color categories Section 4: Seeing Aspects and Color Perception The idea of "seeing aspects" and its application to color The relationship between perception and judgment in color Part III: Conclusion Summary of key points regarding color and language Open questions and further considerations
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