"This timely collection looks at Annie Hall as a multi-authored text, looking at its visible and invisible influence on late 20th- and early 21st-century cinema"--
"This timely collection looks at Annie Hall as a multi-authored text, looking at its visible and invisible influence on late 20th- and early 21st-century cinema"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jonathan Ellis is Reader in American Literature at the University of Sheffield, UK. He is currently co-editing an edition of Elizabeth Bishop's postcards. Ana María Sánchez-Arce is Associate Professor in Contemporary and Postcolonial Literature at Sheffield Hallam University, UK. Her most recent book is The Cinema of Pedro Almodóvar.
Inhaltsangabe
List of Illustrations List of Contributors Acknowledgements Introduction: After the Fall Jonathan Ellis (University of Sheffield, UK) and Ana María Sánchez-Arce (Sheffield Hallam University, UK) 1. Annie Hall and the Invention of Film Studies Annette Kuhn (Queen Mary University of London, UK) 2. The Story of Woody & Diane: Stars and Hit Patterns in the New Hollywood Peter Krämer (De Montfort University, UK) 3. "Not a Morose Type": The Legacy of Annie Hall's Windsor Font J.T. Welsch (University of York, UK) 4. Annie Hall as a Memory-Film Sue Vice (University of Sheffield, UK) 5. I love speaking to you: Narcissism and Annie Hall Reidar Due (Magdalen College, Oxford University, UK) 6. Narrative Transformations of Joke-work in Annie Hall Ruth D Johnston (Pace University, USA) 7. The Mechanical Bride: On Not-Knowing in and after Annie Hall Sarah Kennedy (University of Cambridge and Downing College, UK) 8. "I'm not haunted by Annie Hall. I'm happy to be Annie Hall": The Tangled Relationship between Annie and Diane Julie Lobalzo Wright (University of Warwick, UK) 9. The Spanish Annie Hall: Pedro Almodóvar's Mujeres al borde de un ataque de nervios Ana María Sánchez-Arce (Sheffield Hallam University, UK) 10. "Don't look back": The Relationship between Richard Linklater's Before. Trilogy and Annie Hall Jonathan Ellis (University of Sheffield, UK) 11. Dancing and Falling: Annie Hall's Influence on Frances Ha Jessica Hannington (University of Sheffield, UK) 12. 'The Sadness of Goodbye in a Funny Movie': Desiree Akhavan's Appropriate Behavior and the Melancholic Legacy of Annie Hall in Contemporary US Film and Television Break-Up Narratives Hannah Hamad (Cardiff University, UK) Index
List of Illustrations List of Contributors Acknowledgements Introduction: After the Fall Jonathan Ellis (University of Sheffield, UK) and Ana María Sánchez-Arce (Sheffield Hallam University, UK) 1. Annie Hall and the Invention of Film Studies Annette Kuhn (Queen Mary University of London, UK) 2. The Story of Woody & Diane: Stars and Hit Patterns in the New Hollywood Peter Krämer (De Montfort University, UK) 3. "Not a Morose Type": The Legacy of Annie Hall's Windsor Font J.T. Welsch (University of York, UK) 4. Annie Hall as a Memory-Film Sue Vice (University of Sheffield, UK) 5. I love speaking to you: Narcissism and Annie Hall Reidar Due (Magdalen College, Oxford University, UK) 6. Narrative Transformations of Joke-work in Annie Hall Ruth D Johnston (Pace University, USA) 7. The Mechanical Bride: On Not-Knowing in and after Annie Hall Sarah Kennedy (University of Cambridge and Downing College, UK) 8. "I'm not haunted by Annie Hall. I'm happy to be Annie Hall": The Tangled Relationship between Annie and Diane Julie Lobalzo Wright (University of Warwick, UK) 9. The Spanish Annie Hall: Pedro Almodóvar's Mujeres al borde de un ataque de nervios Ana María Sánchez-Arce (Sheffield Hallam University, UK) 10. "Don't look back": The Relationship between Richard Linklater's Before. Trilogy and Annie Hall Jonathan Ellis (University of Sheffield, UK) 11. Dancing and Falling: Annie Hall's Influence on Frances Ha Jessica Hannington (University of Sheffield, UK) 12. 'The Sadness of Goodbye in a Funny Movie': Desiree Akhavan's Appropriate Behavior and the Melancholic Legacy of Annie Hall in Contemporary US Film and Television Break-Up Narratives Hannah Hamad (Cardiff University, UK) Index
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