Remembering Popular Music's Past

Memory-Heritage-History
Herausgeber: Baker, Sarah; Istvandity, Lauren; Cantillon, Zelmarie

• Gebundenes Buch

Produktbeschreibung

'Remembering Popular Music's Past' focuses on the transformation of popular music into heritage, and the role of history and memory in this process. The book interrogates diverse examples of the way popular music's past is remembered, with particular emphasis on precarity in the construction, curation, display, negotiation, and perception of popular music's past.

Produktdetails

• Verlag: Anthem Press
• Seitenzahl: 256
• Erscheinungstermin: 15. Juni 2019
• Englisch
• Abmessung: 235mm x 157mm x 20mm
• Gewicht: 538g
• ISBN-13: 9781783089697
• ISBN-10: 1783089695
• Artikelnr.: 55779139

Autorenporträt

Lauren Istvandity is a postdoctoral research fellow at the Queensland Conservatorium Research Centre at Griffith University, Australia. Her most recent research spans jazz music heritage, archives and museums, and personal memory. Istvandity is the author of The Lifetime Soundtrack: Music and Autobiographical Memory (2019), co-author of Curating Pop: Exhibiting Popular Music in the Museum (2019), and co-editor of The Routledge Companion to Popular Music History and Heritage (2018). Sarah Baker is professor of cultural sociology at Griffith University, Australia. Her current research explores the community heritage sector and the preservation and curation of popular music in museums, archives and halls of fame. Baker is the author of Community Custodians of Popular Music's Past: A DIY Approach to Heritage (2017); co-author of Curating Pop: Exhibiting Popular Music in the Museum (2019) and Creative Labour: Media Work in Three Cultural Industries (2011); editor of Popular Music Heritage: Do-It-Yourself, Do-It-Together (2015); and co-editor of The Routledge Companion to Popular Music History and Heritage (2018), Youth Cultures and Subcultures: Australian Perspectives (2015) and Redefining Mainstream Popular Music (2013).  Zelmarie Cantillon is a postdoctoral research fellow in the Griffith Centre for Social and Cultural Research at Griffith University, Australia. Her current research focuses on the intersections between urban identity, heritage and popular culture. Cantillon is the author of Resort Spatiality: Reimagining Sites of Mass Tourism (2019) and co-editor of The Routledge Companion to Popular Music History and Heritage (2018).

Inhaltsangabe

List of Figures; Acknowledgements; 1. The Precarity of Memory, Heritage and
History in Remembering Popular Music's Past, Lauren Istvandity and Zelmarie
Cantillon; MEMORY; 2. Consuming Popular Music Heritage, Paul Long; 3. 'Back
in the Day': Experiencing and Retelling the Past as a Claim to Belong in
the Current Northern Soul Scene, Sarah Raine; 4. Resilience and Change:
Popular Folk Songs in a Cultural Landscape, Ashton Sinamai and John
Schofield; 5. Remembering the Independent Record Shop: The Ordinary Affects
of Leedin Records, Adele Pavlidis; 6. 'Mean Streets' as Heritage Object:
Music, Nostalgia and the Museumification of Martin Scorsese, Amanda Howell;
HERITAGE; 7. Mark II: Re-working the Heritage B(r)and, Shane Homan; 8. The
Continually Precarious State of the Musical Object, Charles Fairchild; 9.
Showing Off: Taking Popular Music Research into the Museum, Peter Doyle;
10. Preserving Icelandic Popular Music Heritage: Issues of Collection,
Access and Representation, Zelmarie Cantillon, Bob Buttigieg and Sarah
Baker; 11. Questioning the Future of Popular Music Heritage in the Age of
Platform Capitalism, Raphaël Nowak; HISTORY; 12. Jim Jarmusch's 'Mystery
Train' (1989): Representing the Memphis Music Legacy on Film, Adriano Tedde
and David Baker; 13. Phenomenology of the Surf Ballroom's Winter Dance
Party: Affect and Community at a Popular Music Heritage Tourism Event,
Sheryl Davis, Sherry Davis and Zelmarie Cantillon; 14. Disappearing
History: Two Case Studies on the Precarity of Music Writing, Ian Rogers;
15. Great Albums, Greedy Collectors and Gritty Sounds? A View from
'Snobbish Connoisseurs' on the Canonization and Archivalism of Korean
Pop-Rock, Hyunjoon Shin and Keewoong Lee; 16. Towards a Feminist History of
Popular Music: Re-examining Writing on Musicians and Domestic Violence in
the Wake of #metoo, Catherine Strong; List of Contributors; Index.