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Giorgio Biancorosso examines how filmmaker Wong Kar-wai’s use of pre-existing music to create the soundtracks for his films constitutes a practice of musical remixing that challenges conventional notions of musical composition.

Produktbeschreibung
Giorgio Biancorosso examines how filmmaker Wong Kar-wai’s use of pre-existing music to create the soundtracks for his films constitutes a practice of musical remixing that challenges conventional notions of musical composition.
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Autorenporträt
Giorgio Biancorosso is Professor of Music at the University of Hong Kong and author of Situated Listening: The Sound of Absorption in Classical Cinema.